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Your Kindle Library is displayed on the main page. Click on a book to start reading. Press your keyboard's right arrow key or click the > button to go forward a page, and the left arrow key or < button to go back a page. Click the buttons along the top of the page to explore features like bookmarking and adjusting the font. For more details on using Kindle Cloud Reader, take a look at Amazon's Cloud Reader help pages. When you read Kindle Books from your library, your bookmarks, notes, and reading progress are all synced with your Kindle account. That means, if you make a note in a book you're reading on the Kindle Cloud Reader, you can look at it later on your Kindle or Kindle reading app as long as you have Internet access.T.C. Boyle is the kind of guy you want around when the world is ending. His novels have always been as comfortable with doom as they are laughing in the face of it, so it’s no surprise that’s how he comes across in conversation as well.

This month, the LA Festival of Books awarded Boyle the prestigious Robert Kirsch Award, and he just released a new novel titled The Harder They Come, which deals with issues like gun violence and the American outlook on authority. Paste had the chance to speak with Boyle about The Harder They Come, the LA Festival and his newest project, a forthcoming novel titled The Terranauts that’s based on Boyle’s own environmental concerns. What are some of the things you’d hope to come from a literary festival of this variety? T.C. Boyle: I’ve been involved in the Festival of Books almost every year since its inception. I usually do a solo show. I don’t like to be on panels. What I love to do is go out when everybody’s seated and happy, tell some jokes and give them a complete story in as dramatic or funny a way as I possibly can. Then I’ll take some questions and march on out. That’s my usual situation. This year’s a little different because they’re giving me the Kirsch Prize and I’ll be interviewed on stage by [Los Angeles Times book critic] David Ulin, which is wonderful.

I don’t know if he’ll want me to give some dramatic reading or not, we’ll see. Other than that, it should be business as usual for me. If I have free moments, then I go and see some fellow authors doing their thing. Is there anything about LA in particular which you find conducive to this type of festival? Boyle: I’ve been to lots of book festivals around the country and LA’s book festival is my favorite. I like it better at USC than at UCLA.
curtains coppullIn fact, the first year we were at USC, which is my home campus, I got up in front of the big crowd and said, “I love this festival, I’ve been doing it since its beginning.
ikea dignitet curtain wireBut, you know, help me out here, didn’t it used to be at some other college in town?
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I can’t remember the name of it.” I think it’s better at USC because it’s the more compact campus and you get more community involvement of just regular folks. The UCLA campus is beautiful but it’s infinite in size. I think it’s a better vibe at USC. In regard to your teaching at USC, is there anything you think the city of Los Angeles has brought out of your own writing or your students’ writing that wouldn’t have happened otherwise?
curtains and blinds ellandBoyle: Certainly in my writing. Here’s my life story: grew up in New York and never went west of the Hudson River until I was 25, went all the way west to Iowa City to go to that writer’s workshop and USC gave me a job as the first writer they ever had. A lot of my work has been influenced by California and also LA. My best known book, The Tortilla Curtain, was set in LA and that wouldn’t have happened if I’d gone somewhere else altogether.

It’s been huge for me. To change gears a bit, what made you decide The Harder They Come was the book you needed to put out this year? Boyle: I write about many different things but it always has kind of an environmental focus. This particular story of the shooter, who I’m calling [The Harder They Come’s protagonist] Adam Stenson, is based on an actual story that happened in a place called Fort Bragg back in 2011. In my telling, you have a schizophrenic young man who’s 25 years old and had an uncle who kindly gave him a Chinese assault rifle for his birthday. In his delusions, he shot two people. He fancies himself as a mountain man survivalist, he grew up in the area and knew it better than the cops did. To me, it speaks to a lot of themes I like to consider. Can you go back to nature? Is nature a refuge? What about our young, American society which began with anti-authoritarian colonies coming from people like the pilgrims, the Shakers, the Amish? We had all these utopian societies, this huge country where some groups may have been pretty crazy and gun violent but at least had some place to go.

In the case of John Colter, Adam’s hero, that was in the Indian territories. To answer the question, I’m not exactly sure. I can say I was disturbed by gun violence and particularly the individual shooter. He’s usually a white male, usually a loner, usually mentally disturbed and, thanks to the NRA, always supplied with automatic weapons. I’m not coming at that from a journalistic background, I’m an artist. Whatever I’m meditating on, I don’t have a point to make or an agenda to push. I’m just trying to think about and explore it. Each of the main characters in this book are very different from each other. Are there ways in which you feel you can uniquely relate to each? Boyle: If I’m doing my job properly, and I hope I have, probably most of my readers will not hold the same political views as these three people. I think you have sympathy for them, even Adam who, after all, kills people, because you inhabit their point of view. This is what fiction can do that the news report can’t.

The news report tells you who did what to whom and when and where they did it, but I’m entering into their minds. In the case of Adam, I had this 50-page police report online, and I went to Fort Bragg to snoop around. The real guy was arrested for going to the Chinese consulate. He was obsessed with the Chinese as the new hostiles and throwing these tiny stars he made of silver foil and cardboard with weird, arcane notes. That’s the police report. My job is to show his point of view: what is he thinking and why did he do it? That’s the interest in creating a character like Adam for me. So too with Sara. If you’re a sovereign citizen and reject all government authority, what does that mean? How do you justify that? Does Sara’s extreme point of view on the government resonate at all with your own thoughts on contemporary politics? Boyle: This is a for-the-right-wing, anarchist point of view. It’s the sovereign citizens’ movement which states you don’t have to obey the rules of any state because they have obscure reasons for enforcing them.

It’s all completely bogus but it’s also convenient. I don’t know about you, but I love paying taxes, don’t you? Some people don’t pay taxes, they don’t register their car or believe in the authority of the government. So where is the dividing line? My freedom impinges on your freedom, obviously. When you walk into any park, the first thing you see is a list of prohibitions. No peeing in the grass, no jumping off the bridge, no setting your hair on fire, no hot dogs. I want to jump off the bridge or set my hair on fire just to defy rules like that, but if we don’t adhere to those prohibitions, there are no parks. There’s just scorched earth, for goodness’ sakes! All those questions arose as I was writing this book. The gun violence got me going but the book ended up mostly being about American anti-authoritarianism. We’re taught from the earliest age to be skeptical of authority, not to march in box step and to think for ourselves. Okay, great, that’s neat! Where does that end and where does any responsibility to create a society begin?

If you look at the world today, almost all countries are run by gangs. In all those broken down places in Africa and the Middle East, some gang takes over. We’re lucky to live in a democracy where a person like me can devote his life saying anything he wants about anybody and not be imprisoned or shot for it. In the past, a lot of your books have riffed on historical events. What are the main differences in writing a book like this one which takes place in the present and writing a book which takes place in the past? Boyle: I’ve listened in a lot of historical settings. They’re fun for me. I love to think about how we got here from there. In The Road to Wellville, there are all these bizarre treatments Dr. Kellogg is pretty fond of in 1900, but it’s the same stuff we have today with different names. The High Colonic Wash is just Dr. Kellogg’s Enema Machine. Often, I’ll write about contemporary issues in short stories rather than novels. There are exceptions: A Friend of the Earth, for example, about global warming, or this one which takes on an issue facing us today but also has the historical element thing it back together with John Colter, the pioneers, the mountain men, etc.

Each novel or story has its own valence and I just kind of follow it. I don’t know what it’s going to be, I just follow it. Do you already have something new in the works? Boyle: Oh, yes indeed! I’m on this 22-city tour and, just before I left in late March, I finished the first half (about 230 pages) of my new novel, which I hope to get back to at the end of the tour so I can finish it by the end of the year. It’s called The Terranauts and it portends to my environmental concerns. Specifically, it’s about the Biosphere experiment in the early 1990s in Arizona, where they built this artificial environment with 3,800 species inside, four men and four women for two years. Boy, is it fun! What I didn’t realize until I got into it is how sexy it is! Four men, four women, what are they gonna do? I’m having a lot of fun with it. It’s comedic but it’s also about the Biosphere. Can we have an arrival environment? Could we have alternate powering? Can you recreate a self-replicating environment like the one we live in?