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radar arch replacing the mast on the flybridge, the charm of the VELASCO 43F lies in her softer lines and forward-sloped windscreen, a defining look for With her shaft drive and double thrusters, the VELASCO 43F seems to glide over the water with unparalleled Cummins 2 x QSB 6.7L (2 x 380 CV/HP) Length overall 13.7 m / 44'11" Hull length 11.98 m / 39'3" Hull beam 4.13 m / 13'6" 1.17 m / 3'10" Weight 10761 kg / 23724 Lbs Fuel capacity 585 l / 155 US gal Water capacity 400 l / 106 US gal Available Engines Cummins 2 x QSB 6.7L (2 x 380 CV/HP) CE Category B-12 / C-14 Discover the other models in the Velasco lineMy AccountLog OutLoginCreate an Account GMC 6500 Hostage Negotiations Vehicle Make: GMC 6500 Vehicle Mission: Hostage Negotiations The West Chester ERV is one of the most technologically advanced command centers in service. Designed for hostage negotiations, this vehicle can arrive on scene, lower stabilizers, and become a full office with 4 phone lines, cellular internet, satellite TV, 360 degree closed circuit IP camera, covert lighting, DVR system, UPS, and keypads available throughout the truck to offer quick control and presentation switching.

Additionally, the truck offers creature comforts such as a small kitchenette and bathroom with an "incinolet" incinerator toilet. Air conditioning and heat20' automatic roll up awning, RV style side door with sliding window and screenRear deployment room with benchseats, dry erase board, blackout curtains over windows released with button snapsControl pad for video cameras mounted to roofLCD monitor views to outside surveillance camerasCellular internetPanasonic VOIP phone system with 4 lines4 8 button key padsAV controller Body Type: Box Truck Interior: Custom Cabinetry including upper and lower storage compartments, shelving, bench seats, command desk, dry erase boards, heavy duty aluminum weapons drawers with pushbutton combo locks, helmet storageLED LightingHDMI connections and EthernetSatellite TV systemPlanar onboard video system4 32 inch computer monitorsCoffee makerIncinolet toilet system with running waterRemote temperature control Exterior: 4 Pneumatic corner stabilizers and leveling system2 Analog PTZ Cameras4 IP Dome Cameras

Electrical:Onboard 8,000 KW Quiet diesel generator by Onan powers 120V AC Interior & Exterior outlets and Lighting.120 Volt AC 50 amp shore line, dual 1300 CCA batteries Lighting: Front light bar mounted on attic, headlight flashers, scene lights, telescoping scene lights, rear flashers, LED grille flashers, tail lights, DOT lights, and siren behind grill Mobile Incident Communications Command CenterContinues through Nov. 19 at none too fragile, 1835 Merriman Road, Akron. Homer’s eighth-century BCE poem “The Odyssey” is about the Greek hero Ulysses, who is presumed dead by his wife and son after he is sent on a 10-year journey after the decade-long Trojan War by the displeased sea god Poseidon. In Sharr White’s fractured, one-act treatment of this epic tale — which received its Off-Broadway premiere in 2014 — Ulysses has finally come home. And home is a dilapidated trailer squatting somewhere in an unattractive part of the West Elk Mountain range of Colorado.

The play is getting a beautifully performed but anemically designed production at none too fragile in Akron. In “Annapurna,” the grizzled Ulysses (Jeffrey Grover) — a once-celebrated cowboy-poet, English professor and notorious drunk — is destitute, dying from emphysema and lung cancer, and unexpectedly visited by his ex-wife, Emma (Derdriu Ring), who has remarried.
dupioni blackout curtains They haven’t seen each other in the 20 years since she fled with their 5-year-old.
burlington blackout curtainsBut now Emma has tracked Ulysses down to prepare him physically and emotionally for his estranged son’s arrival after the young man discovered a stockpile of hidden, unopened and unanswered letters from his father.
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The play is a 90-minute confrontation between ex-spouses. But “Annapurna” is also a lyrical meditation on love and loss that centers on two decent but badly damaged people. And it unfolds in several distinctive movements that have their own rhythms. The play starts with a comedic allegro vivace encounter between Ulysses and Emma upon her entrance. She arrives at the trailer with suitcase in hand, a body full of pronounced bruises and a disagreeable attitude at the ready.
red toile fabric hobby lobbyHe greets her while frying sausage in nothing but a skimpy apron around his waist, a breathing apparatus strapped to his back and a perplexed expression on his face.
curtains drummoyne The play slows to an intimate and emotional andante, as the indelible impressions these two have left on one another are revealed and performed with great delicacy.
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And it ends in a moving adagio moment of revelation (for us, as well as Ulysses, who has lost years of memory to alcoholic blackout) and resolution. There’s a metaphor to boot, in the form of Ulysses’ most recent poem, which is written on paper towel and tissues and likens his marriage to scaling Annapurna, one of the most dangerous and beautiful mountain ranges in the Himalayas.
sage green priscilla curtains Actually, the play is considerably less fluid and more predictable than just described. But under Sean Derry’s direction and with the talented Grover and Ring beautifully handing the very naturalistic dialogue the playwright provides, this production unfolds with remarkable grace and dexterity. Grover, despite an accent that comes and goes of its own free will, makes us feel the struggle of every laborious breath he takes and see the poet’s sensitive soul beneath the rebel spirit, the dismissive demeanor and the bitter anger.

Ring beautifully balances Emma’s rage, disappointment and overriding compassion. The only thing that detracts from their fine performances is the astounding lack of attention to detail given to the scenic design by Derry and Marina Lauff. Claims of blistering mid-day heat and impressive vistas are undermined by nothing but black curtains outside the windows and open door. And Emma’s dismay over the trailer’s sordidness — the piles of decaying garbage, the ants, the cockroaches and the remnant dog feces — are contradicted by a pristine interior with nothing but a small stack of books on a table and a few dishes in the sink to represent squalor. Some of the evening’s best acting comes from Ring repeatedly cleaning areas that are spotless and marveling at the mess. And Glover, sucking deeply from his oxygen tank and not flinching at the absurdity of this, displays heroism that would have made Homer proud. Continues through Nov. 19 at none too fragile, 1835 Merriman Road, Akron.