View rank on IMDbPro A talented actress, writer and producer on both the big and small screen, Abigail Spencer is quickly making a name for herself in Hollywood. Spencer will next be seen in Sam Raimi's, Oz the Great and Powerful (2013), a prequel take on The Wizard of Oz (1939) tale. Spencer joins James Franco, Mila Kunis, Rachel Weisz and Michelle Williams. See full bio » Gulf Breeze, Florida, USA More at IMDbPro » View agent, manager, publicist, legal and company 1068 news articles » See more awards » Oz the Great and Powerful Number of Ratings » The Heyday of the Insensitive Bastards - The Red Scare - Public Enemy No. 1 - The Lost Generation - The Murder of Jesse James Show all 16 episodes - All I'm Sayin' - Pineapples in Paris - Go Ask Roger Show all 30 episodes - Zach Galifianakis Wears Rolled Khakis and Shoes with Brown Laces - God's Green Earth - Enough Is Enough

- No Way Out - Know When to Fold 'Em Show all 13 episodes - Church in Ruins - Down Will Come Show all 6 episodes A Walk in Winter This Is Where I Leave You How I Met Your Mother - How I Met Everyone Else (as Abigail Leigh Spencer) The Haunting in Connecticut 2: Ghosts of Georgia - A Shocking Exit - Back to School - Burn Baby Burn - The Twist Twists Again Show all 28 episodes / Chief in Her 20s - A Kid Walks in to a HospitalChief in Her 20s - The End of the Middle How to Be a Gentleman - A Mother Knows Show all 8 episodes - The Girlfriend Experience Rex Is Not Your Lawyer - One Man's Treasure - The Gypsy and the Hobo - The Color Blue - Wee Small Hours - Seven Twenty Three INST MSGS (Instant Messages) - The Man in the Mud Welcome to the Captain - Douchebag in the City - Eyes on the Prize - The Camera's Eye - In Your Eyes

- Eyes Wide Shut CSI: Crime Scene Investigation A Coat of Snow Are We There Yet? - Episode dated 10 April 2000 - Episode dated 7 April 2000 - Episode dated 6 April 2000 Show all 21 episodes See all 11 videos » TV commercial for Old Navy clothing (2005) 1 Magazine Cover Photo | Gratefulness is a double-edged sword. Because I think we've poured it into a feeling. And the batter of gratitude gets kind of stuck to the edges of the Williams Sonoma melamine mixing bowl. But gratefulness, the act of being grateful is actually... a verb. Abigail's maternal grandfather was Eugene Fuller "Gene" Brown II (the son of Eugene Fuller Brown and Helen Elizabeth Bahbo Dobbins). Abigail's great-grandfather Eugene was the son of Silas Fuller Brown and Susan Frances Tower. Helen was the daughter of John Alexander Dobbins and Kate Ward Hurt. hot body, weird face Happy Birthday to the Video Queen of The Fappening. gorgeous but plastic surgery?

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Solution Focused Brief (SFBT)The Nile Project’s 2015 U.S. tour ended at Princeton University on May 2. This was the last concert of a four-month tour that began in New York City’s globalFEST in January. I saw both shows, and there was no mistaking the growth and evolution over the course of a long winter romp around the country. The Nile Project is unusual in so many ways: its scope and ambition, its shifting cast of characters, and its powerful focus, not on an artist, genre or country, but on an entire region, and one that is frequently overlooked in the global music pantheon.cervino curtains Start with that last point. curtain makers lowestoftOne often hears that East Africa is overshadowed by a proliferation of artists, tours and music releases from West and southern Africa. curtain makers lowestoft

As I’ve written before, this is no accident. Americans and Europeans have an intuitive affinity for West and Central African music owing to deep cultural connections stemming from the legacy of the Afro-Atlantic slave trade. Our musics share DNA, and whether we think about it or not, we feel those connections, be it in the affinities between American blues and folk and the music of the West African Sahel, or between Latin music and the old and new traditions of the Congo region. With South Africa, the story is different, but the result is similar. South African musicians have looked to the United States as a model since at least the late 19th century, and so we sense a lot of familiar resonance in sounds from gospel to kwaito. Witness the instant success of Paul Simon’s Graceland among many other examples. East Africa is decidedly more remote to our ears, and in recent decades this region has not benefited from as much love within the realm of “world music.” That is not to say the music is uninteresting.

And kudos to the creators of the Nile Project, especially co-founders Mina Girgis (ethnomusicologist) and Meklit Hadero (artist) and musical director Miles Jay for conceiving such a strong and vivid stage presentation of music from Sudan, Ethiopia, Kenya, Egypt, Uganda, Rwanda and Burundi. The recent Nile Project concerts brilliantly leverage the talent and charm of strong individual artists, mostly women, such as Alsarah (Sudan), Dina El Wedidi (Egypt), Sophie Nzayisenga (Rwanda), and Salamnesh Zemene (Ethiopia). During a lengthy two-set performance, each of these artists has opportunities to take center stage and you can feel the music shift from the playful swing of Sudan, to the sultry, funky grooves of Ethiopia, the more subdued colors of Egyptian art music, and so on. The musical colors, like the artists’ personalities, speak for themselves—no explanation needed. And the ensemble has developed superb skills at delivering the nuances of each style without ever creating a muddle.

This is clearly the product of hard work. In their residencies, these musicians have carefully studied the details of each other’s styles and genres in order to deliver the right tonalities and cadences for each one. What also shows is the spirit of love, respect, camaraderie and just plain good fun that has developed among the artists. This must have been especially strongly felt in this, the final performance of a very long tour. It never hurts to feel that the artists you are watching perform are having the time of their lives, while delivering seductive and beautiful music at the same time. Finally, I mentioned the women, who do dominate this show. But the men are also strong players. Egyptian oud virtuoso Mohamed Abozekry and kawala flute player Nader El Shaer clearly have a deep connection. Abozekry’s fiercely rhythmic lines underpin all the grooves in the show, and El Shaer’s meandering kawala melodies provide eloquent commentary throughout. Ethiopian saxophonist Jorga Mesfin delivers a performance worthy of the Ethiopiques CD series, especially when interacting with Zemene’s smoldering vocal.