The page you requested cannot be found.Drapery DraperyCotton DraperyLinen CottonLinen CurtainCustom DraperyDrapery SunroomDrapes RhDrapery IndigoDark DraperiesForwardBrushed Belgian Linen Cotton Drapery - it would be cheaper to buy our own white drapes and hardware for the living room and customize them with the red tape. we'd still go to knightsbridge for the shades though...Velvet PuddledCurtains VelvetYellow CurtainsVelvet Curtains Living RoomPuddled DrapesDraperiesVelvet LuxeLined VelvetCotton VelvetForwardVelvet as Curtains. Glamour Liquid Velvet has a simply supurb quality. The robust cotton velvet offers a sharp sheen and glamour. Liquid Velvet has a directional pile so the colour is more intense with the pile running upwards.Pillows Start99 PillowsWindows TreatmentsCustom Window TreatmentsWindow CoveringsChallenging WindowsSoft WindowGirls BedroomsGirl RoomsForwardCustom draperies. What a great solution for a window that can handle full-length draperies on one side, but not the other!

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Modern and sophisticated styling.Home Decor Navy BlueLiving Room Decor NavyCream And Navy Living RoomNavy Blue And Yellow Living RoomNavy Blue InteriorCream Walls Living RoomNavy Accent Wall Living RoomNavy Blue OfficeYellow And Blue BedroomForwardSpring Decor Ideas in Navy and Yellow - It All Started With Paintikea lenda curtains reviews give your windows instant texture and dimensionality. lighthouse shower curtain by saturday knight limitedThey are a thoroughly modern update that works with any décor. These shades are available in beautiful solids, subtle patterns and natural woven grasses that are sure to add a flare to any room. With their crisp, sharp pleats, they add texture and interest, as well as a slightly modern flare, depending on the fabric chosen. Enjoy the unique dimensionality of light control that comes from these shades’ pleated texture, while getting a beautiful, affordable enhancement to your home.

Install Time: 12-15 minutes Cordless offers ease of use and a clean look with no lift cords. also eliminates the potential hazards that accompany cord entanglement. A Continuous Cord Loop is great for larger, heavier shades. Top-down/bottom-up allows you to open your shade from either the top or bottom and comes corded, cordless or continuous cord loop. For more light control and privacy, upgrade your shade with a blackout liner. Blackout liners offer total privacy and block all light during the day. This product has accessible cords and is not recommended for windows where children or pets may be present. Warranty, you can trust that this product will last and provide added value and beauty to your home. exclusive, we make sure you have complete peace of mind when measuring for any product we offer. If you made a mistake measuring your blind, we'll remake it at no cost to you. You don't even pay for the return shipping of your old blind!

You only pay if there's a difference in price between your old and new blind, or if the new blind requires a shipping fee (generally, this applies when it's over 94" wide). Limit 1 remake per item; 4 remakes per household per lifetime (unless the error is ours, in which case, we'll make it right!). Same-product exchanges only, within 30 calendar days of receipt of package. Refunds are not offered under this guarantee. New blind must be the same product as the old blind and changes are restricted to only size and mount. Commercial orders do not qualify.1 I want to take this when we travel so tell me how nany pounds is it in queen bed? Thank you for your interest in the Essential EZ Bed Inflatable Guest Bed. The queen size is 47-3/4 lbs.I know it has taken me awhile to show you the master bedroom, but I never could get any decent light in here for pictures. When the leaves are back on the trees they block out good light so even though they say not to take pictures with the lights on it was either I did or wait till fall to share the reveal.

The first thing that was updated was the wall color. This doesn't look that much different than what I had before, but it is lighter. The old color was Davenport Tan and the new one is Alexandria Beige both by Benjamin Moore paint. The walls were in bad shape so it was time for them to be refreshed. Here is a picture taken at dusk that shows the room color and drapes better. You can see how the room looked last summer here. Ivory drapery panels: Ritva from Ikea $50 Bronze rods from Lowes: $50 A Stroll thru Life One Room Three Ways PartyTraditional Home  /  Design  /  Beautiful Homes Boston designers carry on a romance with color in their Florida home Forget ambiguous feelings in shades of gray. Designers Lee Bierly and Chris Drake know their hearts--and their hues. And the Boston-based designers are happy to celebrate a romance with color in the Palm Beach, Florida, home they enjoy as a getaway from their daily lives in New England. "We love color," Chris says.

"We're also very aware that the colors we use in Boston are not the colors that work best in Florida. Here, bolder and more complex hues hold their own in the bright Southern light." That fact led the designers, who both have extensive fine-arts backgrounds, to put together a tropics-cheery yet perfectly sophisticated palette for the Southern colonial-style home they bought in 2005. Designed by John Volk, a sought-after architect in early-20th-century Palm Beach, the 1939 house was an unusual find in a region that offers mostly a Mediterranean aesthetic. Using the bright Florida sunshine as their ally, Lee and Chris courted a romantic ambience by pairing neutral touches with colorful hues that are fresh, assured, and instinctively right for each room. The burst of yellow that illuminates the entry offers the intense welcome that extreme sunlight encourages. To highlight the impressive curved staircase and the black-and-white marble floor, walls are painted a warm yellow that provides a glossy reference to the lemony Florida sun.

The formal living room is more reserved than the attention-loving foyer but is by no means shy. Because their calendar is annotated with events they host in their home, Lee and Chris kept the background of the room neutral with a creamy ivory so that the guests, rather than the decor, shine. Furnishings grouped in front of the fireplace and the bow window and at the far end of the room are covered in ivory-colored fabrics but are punctuated with strong shots of red and yellow. At the windows, sumptuous silk draperies the color of Bing cherries descend from a simple gilded pole, with sheer cotton hanging behind them to filter light. "We tend to do simple treatments, and the essence here is the dressmaker fabric," Lee says. "We treated it like an elegant evening gown that has no need for puffed sleeves or other extraneous decoration. The beautiful fabric speaks for itself." A diminutive fuchsia slipper chair along with a tufted armchair and accessories in yellow also add sun-kissed touches to the expansive room.

The north-facing dining room needed a little light boost to make it as bright and cheery as the other rooms. So the designers used silver leaf on the walls to reflect light and introduce drama. "We love the sparkle, which is so perfect because we tend to use this room at night," Chris says. Additional sheen comes from a gilded wood-and-iron chandelier, bought at a Belgian auction. Since the dining room is square, the duo selected a round table and skirted it with a patchwork cloth made from 10 coordinating fabrics. "In a dining room, there are so many legs," Lee explains. "To avoid that restless look, we skirt the table and change the cloths according to seasons." The kitchen, in black, white, and stainless steel, was shaken up by taxi-yellow tiles in a diamond pattern on the backsplash. The jolt of color both warms the space and repeats the color found in other rooms. "A house should blend," Chris says. "That's why we repeat colors. You experience them as you move from room to room, and get a sense of coherence."

Other rooms embrace color, too, but with an approach toned down from the electric colors in the public areas. Linen in a green-and-ivory toile pattern applied to the walls drove the design of the library, where matching armchairs and an oversized ottoman are covered in a celadon and dark green houndstooth fabric. The family room, which opens to the pool, continues the black-and-beige floor tiles of the kitchen. Walls painted soft yellow are accented by built-in bookshelves. The sofa upholstery and drapery panels are a simple white cotton, and a lounge chair is covered in a blue-and-white cabana stripe. With most of the rooms reveling in happy hues, the design pair decided on restful neutrals for a few areas. The sitting room off the formal dining area is one example. Once a porch, the repurposed indoor-outdoor space echoes nature with earth-toned burlap that covers the walls and the pillows on the daybed. The master bedroom is also more serene than high-spirited. Beige-and-ivory stripes on the walls offer visual interest in a room that is soft and quiet, with neutral fabrics and white-painted furniture.

A Dutch Colonial-style bed is upholstered, skirted, and dressed in simple white cotton, and the headboard is accented with nailheads. Paneled white demilune chests serve as roomy bedside tables. Chris and Lee's goal was to take a beautiful but neglected home, repair it, and respectfully reinterpret it for the 21st century in a way that honors its architecture and celebrates its sunny, color-kissed environment. "We often have projects at ordinary apartments or houses with little or no architectural interest that we need to make grand," Chris says. "This house already had great bones, so it made up for those other projects. That's what delights us. It was a job worth doing, and it is a joy to live in." Photography: Robert Brantley Produced by Estelle Bond Guralnick Design: Lee Bierly and Chris Drake, Bierly-Drake Inc., 11 Newbury St., Boston, MA 02116; Vivid yellow accents lighten and brighten the cheerful living room. The comfortable tufted fireside chair echoes the yellow in the portrait that hangs over the mantel.

In the entry foyer, antique stone cherubs from the 18th century balance the sculptural presence of the winding staircase. The green-and-ivory palette of the library is grounded by a black desk with chinoiserie gilding that stands before the French doors. A favorite painting hangs above a bisque- and gilt-painted chest of drawers. Incorporating stone architectural and garden elements--like the examples flanking the sitting-room French doors--has become a design hallmark of Lee and Chris's. Warmed by yellow tiles on the backsplash and a black-and-beige checkerboard tile floor, the kitchen is sleek but not cold. Behind the range, stainless steel stamped in a diamond pattern is a nod to the pattern on the floor. In the breakfast room, a white-painted antique English bookcase serves as a china cabinet that houses a collection of Lettuce Ware. Trellis-style chairs with raffia-covered seats complement a garden-inspired tablescape in the dining room. In the family room, pops of color from a green lamp, bright yellow frames, and colorful book spines keep the space spirited.

Tailored stripes on the master bedroom walls are softened by celadon silk drapery panels, which add to the room's verticality. The vibrant red used in the living room gets its second wind in the guest suite on the airy red-and-white floral trellis wall covering. Designers Lee Bierly and Chris Drake began the renovation of their Southern antebellum-style house, built in 1939, about five years ago. Interior designers Lee Bierly (left) and Chris Drake note that location, a spin on the definition of "neutral," and a special regard for white have a favorable effect on a house's color scheme. Colorations that work well vary from region to region. "Understated, muted colors that we find appealing in the North lack impact in a tropical environment, where the tones need to be ramped up," says Chris.Neutrals aren't necessarily neutral Any color that runs throughout the entire house can be thought of as a neutral, offers Chris. In this case, yellow accented with pops of other bright hues was the ribbon that tied many spaces together.