Gold drapes in Trump's Oval Office raise historical questions When Donald Trump decided to hang gold drapes in the Oval Office upon moving in to the White House, the decision didn't come as too much of a surprise -- considering his penchant for the color in past living spaces.See the Oval Office's new look below: Obama had settled on "muted red-orange" curtains throughout his presidency.The story of the curtains doesn't end there, though.A new report from The New York Times affirms just how much the 45th president prides himself on his recent design decisions. Apparently he's "obsessed" and gives "quick tours to visitors" to "pass the time between meetings."We wonder if POTUS shares his Lay's potato chips when the mini tours pass through the kitchen -- but that's beside the point.During one of those tours, NYT says that Trump shared an incorrect tidbit about the drapes -- telling visitors that Franklin Delano Roosevelt used the same ones. As the report notes, a former president did use them, but it wasn't FDR -- it was Bill Clinton.According to the White House Museum's archives, FDR instead hung "dark green" drapes.

Now, all of this talk about the Oval Office décor is fine and good, but we're just waiting patiently to find out what that glam room is going to look like. RELATED: Melania Trump's style transformation Sign up for Best Bites by AOL and receive delicious recipes delivered to your inbox daily! Subscribe to our other newsletters Emails may offer personalized content or ads. You may unsubscribe any time. Transferring credit card balances to a 21-month 0% APR is ingenious 10 cards charging 0% interest until 2018 The highest paying cash back card is here Advantage for Firstborn Kids Shows Up Early For Your Wedding, Get Showered With ... Pizza There's Another Food No-No for Pregnant Women 9 Things I Can't Lie About Now That My Kid Can Read Madonna Confirms Major Life Change All the Things I Never Knew Before You These 6 Quick and Healthy Snacks Will Support Your Super Bowl Team 10 Paleo Recipes for the Ultimate Super Bowl Feast Would This Shocking Photo Keep You From Eating Nutella?

12 Celebrities Who You Forgot Appeared on Reality TV 10 Things We Know About Jordan and Aaron Rodgers’ Feud 10 Celebrities Who Refused to Go to the Grammys If you owe less than $300k, use Obama's once-in-a-lifetime mortgage relief program Pay off your house at a furious pace if you owe less than $625k Congress gives homeowners who owe less than $300-625k a once in a lifetime mortgage bailout 12345 More Health Stories Find Local Doctors Daily HoroscopesAquariusAriesCancerCapricornGeminiLibraLeoPiscesSagittariusScorpioTaurusVirgoSEE ALL HOROSCOPESBy PubExchangeHartmann, [Carl] Sadakichi Sadakichi, Innocent De La Salle, Sidney Allan, A. Chameleon, pseudonymsDate born: 1867 Place born: Deshima island, near Nagasaki, JapanDate died: 1944Place died: St. Petersburg, FLPhotography and art critic, author of a book on American art. Hartmann was the son a German father, Carl Herman Oscar Hartmann and a JapaneseHe was baptized a Christian in 1871. older brother, Taru, were sent to live with an uncle, Ernst Hartmann, in

Hamburg, Germany after the death of his mother. There Hartmann came into contact with the visual arts. He was educated privately before attending boarding school in Steinwaerden, Germany. Hartmann's father remarried and, returning to Germany. curtain rods with seashell finialssent the boy to the navalthe tortilla curtain kyra quotes academy in Kiel, Germany, who ran away to Paris three months later.graber traverse rod parts Hartmann emigrated to the United States in 1882 writing freelance for newspaperssajini curtains in Boston and New York. home depot providence bamboo shade

He became the secretary to poet Walt Whitman in 1884. learning much, but also fabricating an interview with the poet, publishingAfter moving to Boston in 1887, Hartmann spent much of the 1887-1888 year in Europe. He returned to the U.S., this time New York andpvc strip curtains brisbane Greenwich Village in 1889 where, after an attempt of suicide, he met and marriedtapestry curtains 90x90 his hospital nurse, Elizabeth Blanche Walsh in 1891. His wife became a screen writer using the pseudonym Elizabeth Breuil. A trip to Paris resulted in the acquaintance of James McNeill Whistler, Claude Monet, and Stéphane Mallarmé. Hartmann founded the first of his short-lived art magazines, The Art Critic from Boston between 1893-1894 and became a naturalized citizen. Hartmann was popular lecturer on art.

As a columnist for Musical America, Hartmann asserted in 1895 that Thomas Eakins and Winslow Homer were America's greatest artists, views unorthodox at the time. He worked as a librarian for architectural firm of McKim, Mead, and White in 1896 to supportHartmann founded another briefly-lived art magazine, Art News (four issues) in 1897. He became staff writer for the Criterion in 1898 and met the photographer and gallery owner Alfred Stieglitz. Stieglitz and Hartmann were mutual influences on each other (according to each). Stieglitz published Hartmann, then the better known of the two in Stieglitz's magazine Camera Work beginning in 1898; Hartmann became the first professional photography critic, though he wrote under the name Sidney Allan. His photography criticism also appeared in Camera Notes, 1899-1901. His writing in Camera Work continued through 1908, and except for a brief falling out with Stieglitz, 1905-1906. Hartmann embarked on an art

publishing career, his pieces on art criticism revised and published as A History of American Art, 1902. He edited Modern American SculptureUnder the pen name "Innocent De La Salle," he published Japanese Art, in 1904. He toured, lecturing on photography from 1905Hartmann divorced in 1910, leaving five children from that marriage as well as a son from a liaison with the New England poet Anne Throop. pseudonym Sidney Allan again, Hartmann turned to art instruction manuals, issuing Composition in Portraiture, in 1909 and Landscape and Figure Composition, in 1910 as well as a monograph on James McNeill Whistler theHe began living with the artist Lillian Bonham in an artist colony inBefore their relationship dissolved in 1916, Hartmann fathered another seven children. He moved to San Francisco in 1918 and later LosHis California lifestyle included the notorious wild parties with film stars such as John Barrymore (1882-1952) and W. C. Fields (1880-1946).

He wrote briefly as a columnist for The Curtain (London), around 1920. Except for another period on the east cost of the U.S. in North Carolina and New Jersey, 1921-1923, he remained in California, living in Los Angeles andHartmann appeared in the Douglas Fairbanks, Sr. silent film, "The Thief of Baghdad" in 1924. He revised his A History of American ArtAlcoholic and obscure, he moved to the Morongo Indian Reservation in Banning, CA, in 1938. When the United States entered World War II, he was putan attempt to intern him and his family in a Japanese-Americans camp was unsuccessful. His final book, Strands and Ravelings of the Art Fabric, 1940, attacked abstractionism and surrealism. He died while visiting a daughter Florida in 1944. His papers are located in the Rivera Library, University of California, Riverside and at the Alfred Stieglitz Archive, Beinecke Rare Book and Manuscript Library, Yale University. Hartmann was an early and important exponent for photography as an art form.

His criticism on American painting, however, was harsh, conservative, and limited a very few masters. Hartmann's Bohemian lifestyle, seldom holding a job for long, resulted in a lack of specialization as an art expert, except,His writing style, a combination of high erudition and flippancy, made a steady American audience difficult, though in his early years he was well known. In later years many, including Stieglitz, shunned him as too reliant on them for handouts to keep his enterprises afloat. Remembered today for his poetry, he corresponded with Ezra Pound (1885-1972) (Pound's Canto 80 of the 1948 Pisan Cantos was on Hartmann) and George Santayana (1863-1952) Racially Asian in appearance, he experience the prejudice many Eurasians did in fin-de-siecle America. Home Country: United StatesSources: Fowler, Gene. Minutes of the Last Meeting. Press, 1954 [factual errors]; The Life and Times of Sadakichi Hartmann, 1867-1944. Riverside, CA: University of California, Riverside/Rubidoux