DiamondCell Blackout Shades from Bali give you incredible light blockage with the added benefit of designer looks. They feature a premium cellular fabric that is subtly textured, soft to the touch and reflective of Bali’s signature style and craftsmanship. They offer year-round insulation and total privacy. Because DiamondCell Blackout Shades completely block the passage of any outside light, they are a great choice for day sleepers and media rooms. DiamondCell Blackout Shades are available in single and double cell thicknesses, as well as a beautiful palette of fashion-forward colors. They also come with a neutral backing for a consistent, appealing street-side appearance. They feature a color-coordinated aluminum headrail and bottomrail, and come with all mounting hardware and easy-to-follow instructions. 12 - 15 Minutes Cordless shades eliminate hassle, as well as the possibility of tangled cords. Top-down/bottom-up is a popular option (and available with cordless) that allows light in from above, while maintaining privacy below.

Double cell shades offer better insulation than single cells and are recommended for climates with extreme heat or cold. Hold downs are recommended on French or glass doors, so as to prevent damage and noise that can result from banging blinds. Upgrade to AutoView™ motor control as a safer alternative to accessible cord. You can conveniently control at the window shade location or across the room. Adding an optional single channel remote, control can be conveniently mounted or placed on a table and controlled from anywhere in the room. Blackout shades do not allow light transference from the outdoors. gently filtered light is desired, consider light-filtering shades For larger-scale windows, choose a 3/4” cell. dimension is ideal for smaller-scale windows but can look busy in windows of larger dimensions. Inside mounted cellular shades will have a vertical light gap on the edges of the shade of up to 1/4". If complete light blockage is

needed, consider ordering an outside-mount shade to avoid beams of Cosmopolitan 3/8" and 3/4" Single Cell | Legacy 3/8" and 3/4" Single Cell | Soft Polyester / Metal Liner | Northern Lights DoubleCell and 3/4" Single Cell | Click here to see other products that are available in many of the same materials. This product can be made safer for places where children and pets may be present, with the selection of the cordless or motorized upgrade. croscill galleria brown shower curtainsAll other versions of this product have cords that may be accessible, and are not recommended for windows where children or pets may be present.shower curtain rod bunnings Warranty means you can trust that this product will last and provide added value and beauty to your home.jcpenney--arched curtain rod

exclusive, we make sure you have complete peace of mind when measuring for any product we offer. If you made a mistake measuring your blind, we'll remake it at no cost to you. You don't even pay for the return shipping of your old blind! You only pay if there's a difference in price between your old and new blind, or if the new blind requires a shipping fee (generally, this applies when it's over 94" wide).christy regency damask silver curtains Limit 1 remake per item; grommet curtains bridgette4 remakes per household per lifetime (unless the error is ours, in which case, we'll make it right!). pvc strip curtains maduraiSame-product exchanges only, within 30 calendar days of receipt of package. made to measure curtains witney

Refunds are not offered under this guarantee. New blind must be the same product as the old blind and changes are restricted to only size and mount. Commercial orders do not qualify.New in Curtains & DrapesSee allCurtains and Window TreatmentsCurtains can shield your home from the sun, enhance your d cor, and even help you save on your heating and cooling bills. When buying curtains, it's important to measure your windows properly and consider what fabric best meets your needs.To determine what size curtain to buy, measure the length and the width of your window. For a traditional style, measure the length of the window including the frame and add nine inches to get the length of your curtains, then measure the width and multiply by 1.5 to get the curtains' width. For a contemporary style, which hangs just above the floor, measure your curtains from one inch above the floor to six inches above the top of your window frame. Shop for curtains that are the same length as your measurement and 1.5 times the width of your window.

For a fancier style that almost touches the ceiling and hangs on the floor, measure from the ceiling to the floor and add at least eight inches to get the curtains' length, then multiply your window's width by three to get the curtains' width.Cotton is a popular fabric for curtains because it's easy to clean and maintain. Sheer curtains are good for letting in light, while energy-efficient thermal drapes are good for maximizing privacy and keeping in heat. Vinyl curtains also offer privacy, making them a good choice for bedrooms and bathrooms.IF YOU WOULD LIKE TO STAY CONNECTED BETWEEN POSTS FOLLOW ME ON Instagram (fortheloveofahouse) ! My heart is full...  thank you! This is the view as you walk into the kitchen from the entry. The antique French wood chandelier was found in pieces in a field at Brimfield. The antique pedestal table was originally found with a leaf in it that made it oval, which I loved, but ultimately, I felt it worked better in the room as a round table.

The fireplace was added during our renovation, the original fireplace (which only opened into the formal dining room behind the kitchen)  had major repair issues and was taken down to make a see-thru fireplace between the kitchen and the dining room. The bricks are from the original fireplace. The mantel board was found in the barn. The 19th c. French painting (in its original frame) above the fireplace was found at Porte de Vanves (a weekend street fare) in Paris. A 1913 Biltmore hotel tray (one of a pair that I have) holds hotel flatware and an antique ironstone pitcher in which I always keep some kind of white flowers. The doorway to the left of the fireplace takes you to the dining room. The black door takes you outside to the back porch. The cupboard to the right of the fireplace is original to the house, and has its original iron bin pulls on the drawers. I adore the small panelled door! On the door is an unframed antique bovine painting hung with antique chain and an antique square nail found on the property.

I researched the old iron bin pulls hoping to find replicas for the island. I was thrilled, yet they were slightly smaller and the detailing was slightly different. And, then I found exact replicas- exact size and details, but they were in solid brass. I purchased them, and spray painted them a mat black to match the originals. The two iron handles on the island that you see in this photo are from Restoration Hardware. The wire basket found in France sits on the large hotel silver tray that is the mate to the hotel tray on the dining table. It holds an antique English ironstone ham stand with a small fern, and two topiaries.... one from Snug Harbor Farm in Maine, and the other I have been growing for nineteen years! The marble on the island is honed Bianco Venatino. I had originally thought I wanted Carrara, but found the slabs at the time of the renovation to be very creamy (instead of white) and to have very little veining. When I spotted this slab at one of the many stone fabricators that we visited I fell in love!

I loved the veining and the movement of the piece. I felt the island at a little over 3 feet x 7 feet needed to have a presence, and the movement of the veining gives it that importance in the room. (To read my post on marble click HERE.) The countertops are soapstone. They have a small amount of green veining which I find beautiful. In my research I read that soapstone can be soft depending on where it is quarried. I have not found that to be true of mine, as it is very durable. For the first month I mineral-oiled it once a week, then for the first year once a month, and now just occasionally. If anything scratches it the oil covers the scratch. And, nothing stains it which is really nice. It is also very heat tolerant, so you can sit hot pots/pans directly on it. (To read my post on soapstone click HERE.) The hardware on the drawers is polished nickel from Restoration Hardware.  I used bin pulls (Gilmore) with handle pulls (Aubrey) in two different sizes (6" and 8", depending on the drawer size) to vary the look.

I designed the kitchen using all drawers. Years ago I found this idea in a magazine and thought it was brilliant! I have one corner cabinet and a cabinet for sheet pans and cutting boards; every thing else is a drawer! I can not tell you how easy it is to just pull open a drawer to find what you are looking for, and to lift up the heavy pots. Glass front refrigerator is Sub Zero. The island pendants are turn of the century mill lights found at Smith-Zukas Antiques in Maine. The light above the sink is from Circa Lighting. The wood ceiling is 6" v-match tongue-and-groove which I paint with a gloss; a little trick I use all over the house-  it makes your ceilings look taller by reflecting the light. My backsplash is real beadboard, and the floors are random width Eastern white pine from Carlisle which happens to be a local company located 35 minutes from our house. We loved knowing that just as the original floors,  the new floors were also from New Hampshire! 

All the floors in the house are finished with tung oil which is what was used a hundred years ago. The wood brackets under the glass front cabinets, the large polished nickel silver cupboard clasps (these are much larger than Restoration Hardware's) and the exact replicas for the bin pulls on the island were all found at House of Antique Hardware. Ella's bed was purchased years ago (actually for her sister Kelsey) and I do not remember from where... sorry. The glass in the cabinets is original to the house! We took the antique wavy glass from windows which were removed during the renovation and had it cut for the cabinet doors. The glass front cabinets are filled with ironstone, hotel silver, green yelloware, hotel and vintage bamboo flatware, drinking glasses and crystal, and white everyday plates. While some things, of course, get used more than others I do believe in using all my pieces;  I open and use the cabinets daily! The sink bridge-faucet is a Perrin and Rowe, and the farmhouse sink is a 36" Shaw.

I removed the doors I had originally had made for under the sink to soften the long line of cabinets with a linen skirt. All of the rugs are antique. The one in this photo was found in Portland, Oregon some 20+ years ago for $5! I love the wear on them, and the softness they give a room. For reference, the kitchen measures 14 feet by 30 feet, and I have 9 foot ceilings on the first floor of the farmhouse (8 1/2' upstairs)  which is very rare in antique homes here in New Hampshire!  The church window frame came from Fredericksburg, Texas and was given to me by my sister Susan after she could no longer use it. In the right side of this photo (currently closed off) under the transom window is the entry into the barn room!  There are about 4 steps down to get to the room. Wall color is Benjamin Moore Gray Owl OC-52 Cabinet, trim and ceiling color is Benjamin Moore White Dove OC-17. The woven wood shades are made by: Ambria, collection: Rangoon; They were custom ordered through Lowes.