Starry Night Over The Rhone Girl With A Pearl Earring Judith And The Head Of Holofernes« The Royal Ballet Comings and Goings, and a "Dream/Song of the Earth" mixed bill |Mirrors and Reflections » Music, Dance and Space A Boy and His Horse Homage to the Queen A Trio of Notables Subscribe to this blog's feed January to August 2007Amazon Studios today confirmed a second-season pickup of Garry Trudeau’s Washington, D.C. comedy series Alpha House starring John Goodman, Mark Consuelos, Clark Johnson and Matt Malloy as Republican senators living under one roof. Additionally, the service has officially picked up four of its five primetime pilots as well as two kids pilots to series. That includes Amazon’s first dramas: The After from Chris Carter, marking The X-Files creator’s return to series television, and Eric Overmyer and Michael Connelly’s Bosch, starring Titus Welliver. Newly picked-up half-hour comedy series include the Gael Garcia Bernal starrer Mozart In The Jungle, from Roman Coppola, Jason Schwartzman, Alex Timbers and Paul Weitz, and Jill Soloway’s semi-autobiographical Transparent starring Jeffrey Tambor.

Amazon’s fifth pilot, comedy The Rebels, from Ice Cube and Michael Strahan, was put on hold. There’s still no final decision on Amazon’s second freshman comedy series Betas. 108 inch curtains searsIts renewal for Amazon Prime has looked unlikely, but there have been talks about moving the project to a free streaming service Amazon has been mulling. absolute zero curtains home depotThe new kids series are Gortimer Gibbon’s Life On Normal Street, Amazon’s first live-action series for older kids, ages 6-11, and preschooler toon Wishenpoof!wooden curtain pole 130cm Related: Four Amazon Pilots Go To Series, 1 On Hold, ‘Alpha House’ Renewedcurtain fabric shop finchley

“Alpha House is a joy to work on,” said creator Trudeau, who produces the series with Elliot Webb and Jonathan Alter. target home botanical bird fabric shower curtain“It’s fun to dance on the leading edge of streaming video, where audiences converge on server farms at all hours, besotted by John Goodman and free two-day shipping.” walmart curtain holdbacksAccording to Ray Price, Director of , the second batch of Amazon pilots were watched by twice as many customers as the first one. black shower curtain 180x200Here is more info on the newly picked-up series: The After—from Chris Carter, the creator of The X-Files—follows eight strangers who are thrown together by mysterious forces and must help each other survive in a violent world that defies explanation.

Aldis Hodge, Andrew Howard, Arielle Kebbel, Jamie Kennedy, Sharon Lawrence, Jaina Lee Ortiz, Adrian Pasdar and Louise Monot will be returning to star in their roles. Michael Connelly’s best-selling book series about a relentless LAPD homicide detective will also come to life in the Amazon Original series Bosch. Connelly and Eric Overmyer will co-write the series which features Titus Welliver, Annie Wersching and Jamie Hector. Henrik Bastin and Fabrik Entertainment (The Killing) are producing. Mozart in the Jungle is a half hour comedic drama about sex, drugs and classical music, that shows what happens behind the curtains can be just as captivating as what happens on stage. Returning cast includes Gael Garcia Bernal, Saffron Burrows, Lola Kirke, Malcolm McDowell, Bernadette Peters and Peter Vack. The series will be written by Oscar-nominee Roman Coppola, actor and musician Jason Schwartzman, Tony-nominated writer and director Alex Timbers, and Oscar-nominee Paul Weitz. Transparent, a dramedy about a Los Angeles family with serious boundary issues, is from Emmy nominee Jill Soloway and starring returning cast Jeffrey Tambor, Judith Light, Gaby Hoffmann, Amy Landecker and Jay Duplass.

It is an exploration of sex, gender and family that begins when a dramatic admission causes everyone’s secrets to spill out. The pilot received wide critical acclaim, was hailed as “the best pilot I’ve seen in years,” and named to numerous must see lists. Amazon will be shooting The After, Bosch, Mozart in the Jungle and Transparent in 4K Ultra HD. Gortimer Gibbon’s Life on Normal Street is a live-action adventure show created by David Anaxagoras, a pre-school teacher and first-time writer who was discovered through Amazon Studios’ open-door submission process. The series is a coming-of-age tale that centers around Gortimer, his two best friends Ranger and Mel, and their exploits on Normal Street—an ordinary suburban neighborhood that has a hint of something magical just beneath the surface. Written by Angela Santomero, creator of Blue’s Clues and Amazon’s Creative Galaxy, Wishenpoof! is an animated series that revolves around Bianca, who has “wish magic,” which means if she wishes to play under the sea then—Wishenpoof!—she’s a mermaid, swimming around with the sea horses.

Bianca uses her wish magic to help others and learns to solve life’s problems in her own creative way because with magic, or without, we all have the power to make good choices. This is Santomero’s second Amazon Studios series. This summer, Amazon will premiere its first three kids series picked up last year, Creative Galaxy, Tumble Leaf and Annedroids on Prime Instant Video. Each show will focus on important skills for children—science, arts and critical thinking—and will foster creativity by promoting learning through play. Beckmann debuted this now iconic self-portrait at the fifty-third exhibition of the Berlin Secession in 1928. For critics of the day, it upstaged the work of his contemporaries, like Otto Dix and Max Pechstein. “The effect is brutal,” wrote one reviewer, “but the work is surely in the spirit of the most recent art.” The perceived brutality referred less to the rawness of the subject’s direct gaze than to formal aspects of the painting’s execution: the thick application of pigment and the large planes of color, notably black.

Half cast into deep shadow by an unseen light source, Beckmann’s face at close range resembles a mask. Known to frequent elite conservative circles, the artist easily dons the elegant attire and “mask” of the bourgeoisie, then launches his critique from within its own ranks. Despite his avowed distance from politics, over the next decade Beckmann increasingly used figurative allegories to comment on present-day circumstances. Max Beckmann, German (Leipzig, Germany 1884 - 1950 New York, N.Y., USA) Original Language Title: Selbstbildnis im Smoking Level 1, Room 1500, Modern and Contemporary Art, Art in Germany Between the Wars 139.5 x 95.5 cm (54 15/16 x 37 5/8 in.) framed: 151.4 x 105.7 x 4.4 cm (59 5/8 x 41 5/8 x 1 3/4 in.) Signed: l.r., Beckmann F. 27to National Gallery, Berlin, 1928, removed from the collection by the National Socialist (Nazi) authorities, July, 1937; [Buchholz Gallery, New York], sold; to Busch-Reisinger Museum, 1941. Harvard Art Museums/Busch-Reisinger Museum, Association Fund

© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Modern and Contemporary Art The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an Max Beckmann Retrospective Exhibition, exh. cat., City Art Museum of St. Louis (St. Louis, MO, 1948), no. 17, checklist p. 95 Charles Werner Haxthausen, "The Busch-Reisinger Museum, Harvard: the Germanic Tradition", Apollo (May 1978), vol. 107, no. 195, pp. 403-413, p. 409, repr. p. 406 as fig. 2 Charles Werner Haxthausen, The Busch-Reisinger Museum, Harvard University, Abbeville Press (New York, NY, 1980), pp. 11, 19, repr. Carla Hoffmann-Schulz and Judith C. Weitz, ed., Max Beckmann: Retrospective, exh. cat., St. Louis Art Museum and Prestel-Verlag (St. Louis, MO and Munich, Germany, 1984), pp. 6264, 149, 192, 238-239, 242, 272, 283, 456, fig. 16 (b/w), cat.

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 381, p. 318, repr. Peter Nisbet and Emilie Norris, Busch-Reisinger Museum: History and Holdings, Harvard University Art Museums (Cambridge, MA, 1991), p. 60, ill. James Cuno, Harvard's Art Museums: 100 Years of Collecting, Harvard University Art Museums/Harry N. Abrams, Inc. (Cambridge, MA, 1996), pp. 348-349, repr. Terry Sullivan, "Multiple Personalities: Self-Portraits in Series by Four Masters", American Art (September 1997), vol. 61, no. 662, p. 35 Tobia Bezzola and Cornelia Homburg, Max Beckmann and Paris: Matisse Picasso Braque Léger Rouault, exh. cat., Taschen (Cologne, Germany, 1998), p. 17, cat. Pia Gottschaller, "Max Beckmann: His Painting Materials and Technique" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1998), Unpublished, pp. 1-33 passim

Görel Cavalli-Björkman, ed., Face to Face: Portraits from Five Centuries, exh. cat., National Museum Stockholm (Stockholm, 2001), fig. no. 6, p. 30, b/w illus. Beckmann: Centre Pompidou, exh. cat., Editions du Centre Pompidou (Paris, France, 2002), p. 225 and cover, color ill. Sean Rainbird, ed., Max Beckmann, exh. cat., Museum of Modern Art, New York (New York, 2003), pp. 129, 156-158, 160-161, 272, 273, 287, cat. Shearer West, Portraiture, Oxford University Press (NY) and Oxford University Press (UK) (Oxford, 2004), fig. no. 110, b/w illus. Stephen Diederich and Paola Malavassi, ed., Max Beckmann, Fernand Léger: Unerwartete Begegnungen, Museum Ludwig and DuMont Literatur und Kunst Verlag (Cologne, 2005), pp. 35-36, 294 Pinakothek der Moderne, ed., Max Beckmann: Exile in Amsterdam, exh. cat., Hatje Cantz Verlag (Munich, 2007), pp. 13-15, 20, 38, fig. 2, 5, ill. Peter Nisbet and Joseph Koerner, The Busch-Reisinger Museum, Harvard University Art Museums, ed. Peter Nisbet, Harvard University Art Museums and Scala Publishers Ltd. (Cambridge, MA and London, England, 2007), pp. 1, 115

Stephan Wolohojian, ed., Harvard Art Museum/ Handbook, Harvard Art Museum (Cambridge, MA, 2008), p. 208, ill. Barbara Buenger, Of 'Truths Impossible to Put into Words.' Max Beckmann Contextualized, ed. Rose-Carol Washton Long and Maria Makela, Peter Lang (New York, 2009), pp. 169-176, fig. 43, ill. Jutta Schutt, ed., Beckmann and America, exh. cat., Städel Museum and Hatje Cantz (Frankfurt am Main, Germany, 2011), pp. 58-59, ill. Reinhard Spieler, Max Beckmann 1884-1950 The Path to Myth, Taschen GmbH (Cologne, Germany, 2011), pp. cover, 8-9, 74, 83, 87, ill. Susanne Petri and Hans-Werner Schmidt, Max Beckmann: Von Angesicht zu Angesicht, exh. cat., Hatje Cantz and Museum der bildenden Kunste Leipzig (Leipzig, Germany, 2011), pp. 13, 30-31, ill. Jeanette Pacher, ed., Rudolf Stingel: Secession, exh. cat., Revolver Publishing (Berlin, 2012), p. 24, ill. Diana Tuite, Brand-New and Terrific: Alex Katz in the 1950s, exh. cat., Colby College Museum of Art and DelMonico Books Prestel (Munich, London, New York, 2015), p. 30, fig. 13, ill.

Joseph Koerner, Making Modernity: Max Beckmann's Self-Portrait in Tuxedo, Harvard Magazine (Cambridge, MA, 2015), pp. 44-47, pp. 44-47, ill. Lynette Roth, New Objectivity: Modern German Art in the Weimar Republic 1919-1933, exh. cat., ed. Stephanie Barron and Sabine Eckmann, Los Angeles County Museum of Art and DelMonico Books Prestel (Munich, London, New York, 2015), pp. 258-9, 305, ill. Max Beckmann Retrospective Exhibition, City Art Museum of St. Louis, St. Louis, 05/01/1948 - 05/31/1948 Neue Sachlichkeit, Centre National d'Art et de Culture Georges Pompidou, Paris, 07/12/1978 - 11/06/1978; Arts Council of Great Britain, London, London, 11/08/1978 - 01/14/1979 Works from the 20th Century Collection of the Busch-Reisinger, National Gallery of Art, Washington, 06/15/1980 - 09/01/1980; Wildenstein Gallery, New York, New York, 09/23/1980 - 10/24/1980 Deutsche Kunst des 20. Jahrhunderts aus dem Busch-Reisinger Museum, Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt, 10/23/1982 - 01/16/1983;

Bauhaus-Archiv, Berlin 30, 02/10/1983 - 04/17/1983; Kunstmuseum Düsseldorf, Düsseldorf, 05/08/1983 - 06/26/1983 Hinter der Buhne (Backstage): Max Beckmann 1950, Museum der bildenden Künste, Leipzig, 07/20/1990 - 09/19/1990; Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt, 10/10/1990 - 01/13/1991 Max Beckmann Self-Portraits, Hamburger Kunsthalle, Hamburg, 03/19/1993 - 05/23/1993; Bayerische Staatsgemäldesammlungen, Alte Pinakothek, 80799 München, 06/09/1993 - 07/25/1993 Max Beckmann and Paris, Kunsthaus Zürich, Zurich, 09/25/1998 - 01/03/1999 Max Beckmann, Centre National d'Art et de Culture Georges Pompidou, Paris, 09/10/2002 - 01/06/2003; Tate Modern, London, 02/12/2003 - 05/05/2003; Museum of Modern Art, New York, New York, 06/25/2003 - 09/30/2003 Re-View: S118 European & American Art since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 09/13/2008 - 04/09/2011 Re-View: European and American Art Since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/03/2011 - 06/01/2013