Choose a curtain that suits you Curtains and blackout curtains might feel soft but they are very hard-working. They can keep out strong sunlight on a summer's day and the nosy looks of your neighbours, too. A thick one will even keep out draughts in winter. Best of all, they help you give your home your personal style, whatever the time of year. Net curtains, 1 pair Double curtain rod combination We love the outdoors, but sometimes we want to keep outside elements, draughts and curious eyes, out. VILBORG curtains are effective at keeping out both draughts in the winter and heat in the summer. Sheer curtains, 1 pair Curtains with tie-backs, 1 pair Filter daylight with SKOGSKLÖVER roller blind, a smart cordless and child-safe solution. Block-out curtains, 1 pair Curtain liners, 1 pair View all search results Working at the IKEA group Most people see IKEA products. we see the many inspiring roles that make them possible. You see things a little differently.

At IKEA we believe in people. Behind every product are humble, enthusiastic teams that make it possible. Come see things a little differently with us. We do things a little differently. Our way of working has created a unique culture founded on a clear set of values. To us, what you value is more important than your background and experience. At IKEA we believe that the best person to steer your development is you! At the same time, we give you the support you need to develop your talents and express yourself. Working with us is more than just fun, it’s rewarding. Our workplaces are human and informal. We like working together as equal partners.Nova DuvetCrafts HeadArt And CraftsBed MakingFantastic IdeasFantastic WebsiteAmazing SitePerfect BedCanopyForwardThe easiest and fastest way to make your bed. As seen on the New York Times.Space BasementBasement AtticApartment InspireApartment LifeApartment LivingApartment TherapyFinal GrandmasMakeshift WalkInterior Mid CenturyForwardMakeshift Walk-Through Closet from Ikea but I would build a wall instead of using a curtain.

Did you notice these gorgeous stools in mongolian lamb that can be seen in many interiors? Avez-vous remarqué ces superbes tabourets en agneau de Mongolie que l'on peut voir dans de nombreux intérieurs ?eyelet blackout curtain lining argosAnd as you already know I am currently redecorating my nieces bedroom so I thought I could make them one so they can sit on a lovely and very soft stool ... tab top voiles argosSo as I promised, here is the first DIY project of my girls bedroom makeover and as you will see it's very easy to do.affordable curtains and blinds moonah Je les adore ! fernlea curtains

Et comme vous le savez déjà je suis actuellement en train de redécorer la chambre de mes petites nièces alors j'ai pensé leur en fabriquer un pour qu'elles puissent s'asseoir sur un joli tabouret tout doux... uberhaus gazebo curtainsAlors comme promis, voici le premier DIY de mon projet déco de chambre de filles  très facile à réaliser comme vous allez le voir.creative curtains oostduinkerke So I used an Ikea stool (pink of course) and a white mongolian lamb cushion cover. J'ai donc utilisé un petit tabouret de chez Ikea (rose bien sûr) et une housse de coussin en agneau de Mongolie de couleur blanche. I started by taking off the top of the stool to keep only the metal structure. J'ai commencé par enlever le dessus du tabouret pour ne garder que la structure en métal.

Then simply use the round of the seat that has been removed as a template to draw two circles: one in a wooden board and the other one in a foam with a thickness of about 4 cm. Cut them using a jig saw for the board and scissors for the foam. Ensuite, il suffit d'utiliser le rond de l'assise qui a été enlevée comme gabarit pour tracer deux cercles : l'un dans une planche en bois et l'autre dans de la mousse d'une épaisseur d'environ 4 cm. Les découper en utilisant une scie sauteuse pour la planche et des ciseaux pour la mousse. Glue the foam on the wooden board so that it no longer moves. Cover the whole with a layer of flannel and staple on the back of the board. Coller la mousse sur la planche en bois pour qu'elle ne bouge plus. Recouvrir le tout avec une couche de molleton et agrafer à l'arrière de la planche. Finally, take the mongolian lamb cushion cover. Remove the rear side and keep only the face with the Mongolia wool. Cover the whole and staple to the back of the wooden board (I kept the whole mongolian lamb side as you can see here the four corners of the cushion cover were stapled).

Finally, you only have to screw the new seat on the metal structure with four screws. Enfin, prendre la housse de coussin d'agneau de Mongolie. Oter la face arrière et ne garder que la face avec la laine de Mongolie. Recouvrir le tout et agrafer à l'arrière de la planche en bois (on voit bien ici que les quatre coins de la housse ont été conservés et agrafés). Pour finir, il n'y a plus qu'à visser cette nouvelle assise sur la structure en métal avec quatre vis. Et voila your mongolian lamb stool! What do you think? I hope you like it ... On that note, I wish you a great weekend to you all! Et voilà votre tabouret en agneau de Mongolie ! J'espère que cela vous plaît... Sur ce, je vous souhaite un excellent week-end à tous ! Images source me, 2 & 3 Gustav Klimt - The Kiss For Gustav Klimt, it was normal to work in his studio from early morning until evening without a break, and the year 1907 was no exception. Before long, countless sketches covered the floor.

But Klimt complained repeatedly about the difficulties of his work. He wrote in a letter: "Either I am too old, or too nervous, or too stupid - there must be something wrong." Nevertheless, this year was to be one of the most productive of his life. Klimt completed, among other works, the Portrait of Adele Bloch-Bauer I and Hope II, but most importantly he began work on the painting The Kiss, which was to take its place as one of the most famous pictures in the history of art. The theme of a pair of lovers, united through a kiss, was one that occupied Klimt throughout his career. Variations on this theme can be found early on in his works. Klimt's Beethoven Frieze (1902), reflecting his increased emphasis on ornamentation and the use of gold leaf, represented an important artistic precursor to his most famous painting. The inspiration for his "Golden Phase", which culminated with The Kiss, was presumably provided by a visit to Ravenna during his travels through Italy in 1903, which introduced him to the world of Byzantine mosaics.

But Klimt was also influenced by contemporary painters: the abstract, decorative style of the Dutch Symbolist Jan Theodor must be mentioned here, as well as the Belgian Symbolist painter Fernand Khnopff. There have been numerous attempts to identify the woman portrayed in The Kiss. Those mentioned have included Klimt's life-long partner Emilie Flöge, but also Adele Bloch-Bauer. The subject's well-proportioned facial features reveal a similarity to many of the women that Klimt portrayed, but ultimately they cannot be unequivocally attributed to a particular person. In the painting a couple is depicted embracing in a field of flowers. The man is bent over the woman, and she - clinging tightly to him - awaits his kiss. In terms of ornamentation, the male figure is characterized by square and rectangular forms, while in the case of the female soft lines and floral patterns are dominant. A golden halo surrounds the couple, but it ends at the bare feet of the female, whose toes are sharply bent and firmly dug into the flower-covered meadow.