COLLECT for free in AS LITTLE AS 60 SECS large item delivery from next day Look out for products badged Fast Track to get it today - Collect in as little as 60 seconds - 7 days to collect - Dedicated Fast Track counter in-store - 7 days a week - Buy before 6pm and we'll deliver by 10pm - Choice of 4 delivery slots From next day, 7 days a week Choice of 4 delivery slots >  Rugs and mats 1 - 50 of 1033 items At Argos we offer a wide range of rugs to add further statement to your room and make it truly unique, from simple runner rugs to shaggy rugs we are certain there will be something that suits your home and give it the edge it needs! To add extra value to your purchase, bear in mind we offer a home delivery service, so we can bring your new rug to you without you stepping foot out of the door! If you are renovating your whole home or a couple of rooms where bedroom furniture may be required, then take a look at the rest of our home living range which includes our range of curtains to further complement your room.

A new floor lamp or mirror beside your runner in the hallway could be the needed finishing touch the room requires. Of course, you may require a new vacuum cleaner to keep your new rug clean and tidy! For this, we offer a wide range of vacuums including the ever popular Henry Hoover so we are certain we have a vacuum for you. Fiji Rug 150 x 100cm - Latte.Full text of "Whitman-Hanson Regional High School yearbook"Starring: Michael Fassbender, Alicia Vikander, Rachel Weisz, Florence Clery, Jack Thompson, Bryan Brown. 12A cert, 133 mins. The Light Between Oceans, the new film from Derek Cianfrance, is mostly set on Janus Rock, a wind-bitten, froth-flecked island 100 miles off the coast of Australia. As I watched, I my face felt raw and stung with salt, which had something to do with its vivid evocations of landscape and climate, but perhaps more with the steady stream of tears that began trickling down my cheeks after half an hour or so and didn’t stop until after the lights came up.

Cianfrance, the director of Blue Valentine and The Place Beyond the Pines, has come to Venice with a tour de force weepie – albeit one that loses none of the moral intricacy and novelistic scope of his earlier work, nor its curiosity about the fragile fastenings between one generation and the next. (It’s his first film to actually be based on a novel, the same-titled debut by the Australian author M L Stedman.) Better still, it comes spiced with the curtain-twitching pleasure of seeing a real-life couple playing one on screen – and given the couple in question are Michael Fassbender and Alicia Vikander, thoughtful cinema-owners may wish to have cold compresses and jugs of iced water on hand, and perhaps also a wrenched-open fire hydrant in the foyer. It’s 1918, in the immediate aftermath of World War I. Fassbender plays Tom Sherbourne, a survivor of the Western Front who seeks out a job as a lighthouse keeper “to get away from things for a little while”, as he puts it.

As Tom disembarks a train en route to his new post, on the swirling  he’s conspicuously one of the few non-amputees among men of his age: the scene lightly seeds the survivor’s guilt that becomes the film’s key dramatic motor, although Fassbender plays it with total control, treading down Tom’s feelings like the embers of a fire that won’t go out.thermalogic thermavoile lined grommet curtain single panel As he arrives in the small harbour town where he’ll find passage to Janus, he sees a young woman feeding gulls by the shore: this is Isabel (Vikander), and there’s an immediate, though guarded, mutual attraction. signature eggplant blackout velvet curtainsAfter his first three months on Janus – lots of shots of Fassbender in bristly jumpers sitting on rocks, Fassbender in a vest and braces leaning on an anvil, and so on – Tom returns to the mainland to court Isabel in earnest. alton print grommet window curtain panel grey

On a walk, she jokingly proposes, and we know the idea seriously appeals to her from the way she bites her lips as soon as the words leave them.curtains mochdre They return to Janus as husband and wife, and start to make a home. casual curtain wethersfield ctOn their wedding night the lovemaking is hesitant and ultimately brief, though it’s less non-event than warm-up lap. eclipse whitney energy-efficient curtain panelThere is a skin-pricklingly intimate shot the morning after of Tom tracing his fingers across Isabel’s back in the same way he used a pair of compasses to plot his route to Janus: later, he kisses her lower stomach as she sits astride him in bed, and her skin glows with promise in the honeyed light.

Children, it’s heavily implied, are the obvious next step. But fate disagrees, and the couple suffer two miscarriages in close succession – Vikander playing Isabel’s impossibly complex knot of emotions at this time with laser-like perceptiveness. (There’s an unshakeable moment in which she pushes her cheek against the ground by her babies’ graves, as if trying to hear them through the earth.) Then one morning, shortly after their second loss, a small boat washes ashore: in it are a dead man and what’s presumably his baby daughter, still alive and squawking for food. As soon as Isabel picks her up, we realise she won’t easily relinquish her. The Light Between Oceans explores the consequences, both immediate and dizzyingly long-term, of the couple’s decision to take in this child – whom they name Lucy – and pass her off as their own, rather than report her missing. Both Fassbender and Vikander explore their characters’ various thorny moral quandaries and shifting states of mind in breath-catching depth, drilling down through the plot’s melodramatic crust to the swirling ethical magma underneath.

They’re matched by a superb Rachel Weisz as Hannah Roennfeldt, the daughter of a local landowner (Bryan Brown) whose connection to Lucy isn’t too hard to guess, but deserves to be uncovered at the film’s chosen pace, which is certainly contemplative (it runs to two-and-a-quarter hours) but never a drag. Stedman’s novel has often been likened to Thomas Hardy, but Cianfrance’s film reminded me just as much of Hitchcock’s Rebecca, from the obvious body-in-a-boat connection to its fascination with family secrets and the lingering sway held by the dead over the living. Cinematographer Adam Arkapaw, who also shot Fassbender in Macbeth and the forthcoming Assassin’s Creed, brings an antique, time-faded look to both setting and cast that feels more carefully considered than Alexandre Desplat’s quite conventionally swirling score, although this is a handsome production all round – right down to the stockpile of preposterously cute tots who play Lucy over the years, including Chichester-born Florence Clery