An unhandled exception was generated during the execution of the current web request. Information regarding the origin and location of the exception can be identified using the exception stack trace below. St Andrews Lifeboat c1910 Miss Bushnell with her baby sister, Kinburn House, St Andrews c1930 While re-organising the museum store, the Curator stumbled upon this interesting carved panel tucked away behind a large piece of furniture. The wood was quite soft and part of the panel was a bit mouldy - this was gently removed and the panel was moved to a damp free area of the store! Further research uncovered that the panel is from around the late 15th century and most likely from a local chapel or the Parish Church. The panel was at one time installed at 141 South Street before being salvaged by William M. Jack, local architect, restorer and trustee of the St Andrews Preservation Trust, when he restored the property some decades ago. Quite a find indeed! Our current summer exhibition, Furs, feathers, frills & florals: four decades of fashion, 1919-1959, looks at the development of fashion trends during a period shaped by economic instability and war.

These wooden shoes, made in around 1943, are an excellent example of how industry got creative to solve a problem: the rationing of shoes due to rubber and leather shortages. Red/burgundy suede and rubber wooden shoes (early 1940s) This fantastic film shows the wooden shoes being made. As you can see, small pieces of leather were added to these robust shoes to make them more comfortable and quiet. The donor of these shoes informed us that she wore these almost everyday until 1952 as they were so comfy! Wooden shoes were also coupon free so you could save your coupons for other essential items of clothing. This became increasingly important towards the end of the war when the coupon allocation was reduced. These wooden shoes, alongside other items of war-time clothing, are on display in the museum until 4th October 2015. By Museum Volunteer Pat Harvey.Art GlasgowGlasgow StyleExhibition HeraldArtist1 Alison WattStudios 14Herald ScotlandNational ExhibitionArtist AlisonArtists StudiosForwardGeneration of artists in the frame for national exhibition |

Every wedding tells a story, and this overwhelmingly gorgeous day is one you want to curl up with and read over and over again. red 'maisy' lined curtains with eyelet headingCramer Photo is a true master of capturing all of the little moments that a couple shares on this day, and of telling a story so very beautifully of their love. pink blackout curtains asdaWe love the details that make every wedding unique, but at the end of the day all that matters is the love you share with your new husband, and the love of your family and friends. swish curtain rail extension bracketsWhat better place to celebrate this love than at this gorgeous country home in one of the prettiest spots in all of Virginia.hookless shower curtain home depot

Frances & Thad had a magical day at the ever enchanting Belle Haven. Their wedding day reads like a dream, and I will certainly have these images dancing through my head for days. Frances was an absolutely stunning bride, and her look was so very timeless. Their intimate ceremony was held inside the house, and it was just the most lovely place to stay warm and cozy on this crisp fall day. The vintage teacups, mismatched chairs, and gorgeous blush florals were the perfect finishing touches on this soiree. Congrats Frances & Thad, we wish you a lifetime of love and happiness! A few tidbits from Frances.... My wedding dress was my maternal grandmother's gown from 1942. The veil was bought on etsy and was originally from 1917. My shoes were from BHLDN. The pink cocktail dress from 1950s was purchased from Dear Golden on etsy. Thaddeus' suit was J. Crew. The Edwardian emerald and pearl necklace was borrowed from The Jewelers Eye in Charlottesville. Our friend Aaron Hill played the oboe.

The rest of the music was played on an ipod. My entry song was Sigur Ros, "III". Our exit song was "Ho Hey" by The Lumineers. The flowers were purchased wholesale and arranged by my mother, my godfather Otis, myself and Jan (the owner of Belle Haven) in family heirloom silver vases and assorted ditty pots. All the plates, serving dishes, utensils, linens, tea cups, trays and serving ware were either family pieces or items I personally collected at antique stores throughout VA in the year of our engagement. The skeleton keys were all collected in Virginia and in India. Some were actually from my family home. I did all the "calligraphy" (she quotes that because it is her handwriting, we think it's perfect!) I made the save the dates, the flower girl basket and the petal cones. The invitations and table numbers were from Love vs. Design in Brooklyn. Welcome notes by Jen Fleischer of Charmed Designworks in Charlottesville. Hair by Austin Burns, a stylist at Moxie.

My vintage dresses were altered by Janice at Posh Style. We did not have an official planner or day-of-coordinator, instead a family friend helped with organization on the wedding day. I personally did all the vendor organization and "styling" and I had so much fun doing all of it. I can't imagine relinquishing that incredible creative opportunity to someone else, though I was exceedingly grateful for the help of many friends and family in the days surrounding our wedding. Big Narstie's in the house! Get on board with the Grime star's English tour this May!It looks like our usage analysis algoriths think that you might be a robot. in an automated fashion is a violation of the Redfin's terms of use. Please complete the captcha below to access Redfin. Description up to 100 words Ut enim ad minim veniam, ut aliquip ex ea commodo consequat. Velit esse cillum dolore consectetur adipisicing elit, eu fugiat nulla pariatur. Ut labore et dolore magna aliqua.