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“People live in an urban society where many Jews have a frenetic experience,” he said. “Here you have an opportunity to tap into the agrarian roots of Jewish tradition.” As someone who keeps two apple trees and a pear tree for hard cider, and a raspberry patch for jam, I felt this draw myself, even as I harbored a certain anxiety about the work that the holiday would involve. Apparently, I wasn’t the only one: Steve Henry Herman said he started his sukkah business to help people like me in his own congregation. Mr. Herman and his wife, Judith, run the Sukkah Project — a 12-year-old Chapel Hill, N.C., company whose sales have increased by about 30 percent a year, he said; he expects to ship 1,200 sukkahs this year.“I felt a mission to help Jewish guys in particular,” Mr. Herman explained. “People who feel they’re good with their minds but not their hands.” He said he wanted “to show them that they can do this.”I wanted to prove I could do it, but I knew I couldn’t.

So the first friend I called was someone who could: Zoe Adler, 36, who runs HouseWorks, a small architectural design firm in Minneapolis. It’s a mitzvah — a commandment — to build a sukkah, and it’s a mitzvah to help a neighbor with his load. That’s how Zoe was persuaded to sign on for a weekend of Old Testament-style labor.The seven-page assembly guide to the Hermans’ Tubular Sukkah felt heavier in my hands than the 65-pound carton of parts, and I was glad to relinquish it. That said, presented with a mere 17 pieces of aluminum pipe and 12 brass fittings, a monkey could probably plug this booth together. (The Talmud is silent on this question.) The stripped-down skeleton of the sukkah, a plain rectangular frame, was standing in my side yard 30 minutes after we opened the box.“There’s not much organic or natural about it,” Zoe said, which turned out to be a compliment. “I like that it’s totally bare-bones, simple, functional.” ), impressed us both.The windscreen that served as walls did not, at first, fare so well;

it “could be a lot nicer,” Zoe said, charitably. Grass green and plastic-y, it looked like nothing so much as an oversize lawn bag. (For an extra $60, you can choose a heavier canvas wrap. Bamboo mat roofs, called schachs, are also add-ons; I abandoned cutting underbrush at a bank for a homemade schach after a thorn stabbed half an inch into my thumb.) Attaching the windscreen grommets to the frame with nifty black bungee loops and balls, Zoe recalled a friend’s instructions to a tailor about how to fit a pencil skirt: “tight tight tight tight tight tight tight!” Once the tarp had been stretched (definitely a job for four hands), the fabric became semi-opaque, and the maple trees and telephone poles outside took on the look of a pixilated screen print. Warhol in a green period. Or “like something César Chávez could travel with,” as another friend said. Looked at this way, the model seemed to recall the sukkah’s agrarian past.), with its polyester screen print of the Western Wall in Jerusalem.

(The company also offers patterns called “rich embroidery” and “classic.”)“A lot of Jews are drawn to the wall when they visit Israel during the holidays,” said Leah Sicherman, who does design and marketing for Oorah. “If they can’t be there, they can have a little bit of it with them at home.”The Kotel went to the home of my friend Michael Zis and his wife Deb Olkon, who live in a 1914 Arts and Crafts bungalow in South Minneapolis. Their small garden is a tangle of towering lilac shrubs, ivy and concord grapevines — Bilbo Baggins’s backyard — and it seemed like cheeky fun to plant a big, fake supergraphic print in the middle.“The frame is actually elegant,” Zoe said. “Everything snaps right together and it’s sturdy like a jungle gym.” As proof, she lifted herself on a corner and hung for a moment in the air. BUT where the Tubular Sukkah had an industrial austerity, the $759 (plus shipping) Kotel, with its bone-colored paint job and stinky vinyl windows, reminded Zoe of a “shower-curtain kit.”

“It’s the difference between the corner hardware store and the Home Depot,” she said.I had planned to build the New Panels Sukkah (at $1,206 plus shipping for a six-foot-square deluxe version, the most expensive of the lot) at the home of Bruce Manning and Tricia Cornell. I’ve been attending their Passover Seder for half a dozen years, and in Minneapolis, a good Passover berth needs to be nurtured. But given the kit’s more-than-400-pound heft and its seven-foot-long modular panels, this sukkah wasn’t going anywhere after U.P.S. dropped it off at my place. Instead, Bruce, who said he was up for a “mitzvah-riffic time,” hauled the family over. ), a company started in Israel that has opened 10 New York outlets in the last decade, and also sells to a largely Orthodox clientele through Judaica stores across the continent. “It’s the Rolls-Royce of sukkahs,” said Lazer Cohen, manager of its New York showrooms.The dark, medium density fiberboard certainly looked to us like it was trying to evoke the refined dashboard on a Rolls-Royce Phantom.

And the anodized aluminum frame made for a clean, sleek grid around the panels. At the same time, it felt a bit like we were building an office cubicle next to my weeping larch tree.“The panel system has a lot of potential,” Zoe said. She and Bruce set the metal tongue of one wall panel against the groove of another and they slid smartly into place. “But this veneer leaves me cold,” she said. “There’s something corporate about it. It should be carpeted on the inside.”In the midst of unpacking another carton, Zoe mentioned that in architecture school, she had designed her own sukkah for a studio project. ), a $789 model (plus shipping) that would stand outside her 1892 Victorian house near the Lake of the Isles. Susan Shender, the founder of SukkahSoul and an architect in St. Louis, had once been in Zoe’s shoes. “I started putting up a sukkah with some friends,” she said, “and we had an old kit. It fit the bill but it just wasn’t beautiful.”The sukkah Ms. Shender drew up in response, an open lattice of leaning wooden members and diaphanous white fabric, was the only one of the four kits I ordered that could be described as pretty.

It was the kind of gauzy shelter where a reality-show bachelor would make his million-dollar proposal.It was also the only one of the four that could be called complicated. “If you can follow directions, you’ll do fine,” Ms. Shender said. For Zoe’s husband, Josh Resnik, that proved a big “if.”“This makes me sick,” Josh said, scanning the photo diagrams of predrilled-holes, crisscrossing cedar posts and rotating arrows. Josh retreated to look after the couple’s two young boys, and a walnut tree ably took his place in holding up the partly assembled walls. “It appears more complex than it is,” Zoe said, “which seems odd to say when there’s, like, 44 short bolts.”The finished frame, while attractive on its own, also seemed evocative of something: a rotated Star of David, maybe, or a Rockettes troupe made of chopsticks. “It looks like it should be able to twist and collapse,” Zoe said, “like toothpicks in a cup, when they fall down and cross.”When the boys were finally asleep and the sukkah was done, Josh ordered take-out Chinese and sat on the edge of the porch, a safe distance away.