We can't find that Page.Here's what's trending on Polyvore now.Top Sets Created by Our Members NYFW by ozgeelfaba Untitled #562 by adaylateabuckshort NYFW: Glam by seannna-hale Nearly 70 years ago, ODL took form in Cy Mulder's home, eventually moving into a small building in Zeeland, Michigan. In the early 1960s Cy's son, Larry, took leadership of the company and expanded our growth outside of Zeeland to other parts of the United States. Today, with Larry's son, Jeff, at the helm, ODL has sites in the United States, Canada, the United Kingdom, China, and Mexico, with distribution all over the world. For three generations, we have kept our sights on what is ahead and have taken opportunities to build our business and grow our product offering. Through research and innovation, we have brought forth home building products such as Light-Touch® Blinds, on-trend decorative doorglass designs, Brisa Retractable Screen Doors, Add-On Blinds for Doors, Destination Door Glass, Perspectives Textured Door Glass, and Spotlights® Door Glass.

We understand that our customers desire these quality products, along with excellent service and innovation. For that reason, we will continue to work hard to always bring value to the building products that we manufacture every day. A fresh approach to fresh air. Destination doorglass for entry doors makes coming home just a little nicer. Authentic design for the architecture enthusiast. Perspectives Textured Door Glass ODL considers views and viewpoints from around the world as we designed our Perspectives line. Textures, colors, patterns, terrain, objects, cultural influences—all led to this diverse collection of privacy glass styles for your entry door.In a head-scratching ruling, the ATF has reclassified 40mm practice (“chalk”) rounds and 40mm flares as “destructive devices”, putting them in the same category as actual explosive 40mm grenade ammunition. The practice round has a plastic shell and contains a day-glow orange (and naturally degradable, environmentally friendly, even) chalk filling.

It’s supposed to be a ballistic match for the HEDP round. Here are some comments from an Arfcom thread on the subject. “Apparently the 40mm M992 IR flares are considered to be a explosive round. This is news to me. They got my name from the dealer I purchased them from, apparently they didn’t know either. Any one have any info on this. I’ve been googling it for a couple of hours now and can’t find anything.eclipse blackout curtains artichoke “He left his card on my front door. curtains schdy ny craigslistHe said he was going to bring a copy of the explosives tech branch ruling.”lecornu curtains The follow-up after the ATF visit, emphasis ours: “Ok so a update. The agent that showed up was an actual bomb tech.

I surrendered the rounds under protest per the advice of a attorney. The bomb tech was a really cool guy. He agreed that it was pretty stupid and he hated to do it but he was being forced to help out with the case. He did also tell me that they had sent him out to take 40mm chalk rounds under the same case. I walked out to the truck with him and watched him place the rounds in the explosive magazine in his truck. When I told him I was surrendering the rounds under protest he looked at me and said “good I hope you can fight it and get them back because this whole situation is stupid.” I’m not sure if I will go to court over it or not. I’m not out enough money for it to be a big deal but it’s an issue that has me concerned. I know there are not enough people out there with registered DD M203’s for this case to ever become a big deal but it is really shitty that as far as I can tell all 40mm rounds are considered to be Low Explosives and can not be owned unless you have a explosive licence.”

Note that the “explosives tech branch ruling” has not been furnished, although this letter is circulating. It was addressed to the original Arfcom poster’s dealer, the one that had sold him the rounds. And, a comment in the same Arfcom thread by a different user: “I just contacted my Senator and OMB concerning this. My Senator is very concerned and OMB’s response was interesting in that they say ATF is citing one section of law while ignoring others that define what makes a DD. OMB believes that ATF may be outside of the law on this and will be contacting my Senator tomorrow. After a nice discussion with an investigator there, it appears ATF is fudging the language of the applied section of code to make a determination to allow them to confiscate. The investigator with OMB believes that this may warrant action against FTB in BATFE. We shall see what happens if anything. But there is absolutely no doubt that BATFE is deliberately incorrectly interpreting the section of code and is pursuing illegal action.”

Our friends inside ATF say that the initiative was conceived and planned in the Chief Counsel’s Office. That way, managers have explained to the rank and file, they won’t have to answer questions to the public, press or Congress “because everything is under lawyer-client privilege.” They seemed to split on whether Acting Director Thomas Brandon initiated this policy or merely signed off on it. “It wasn’t his idea,” one told us flatly. “He’s not that bright. It came from the lawyers, or from DOJ through the lawyers.”CALLING A SHOW - A few - Your job is to facilitate the running of the show so the actors can make the audience have aIf you get too busy or swamped under, the flow of the showWhen that happens, the actors lose their focus and the productThese comments are not to be taken as gospel, but should be considered. They are based on MANY years of learning things the hard way. - Don�t do too muchTrust your ASM�s, crew chiefs and props runners.

If you are racing around doing things, you WILL miss problems. You should be watching and - Don�t let your technicians become too chatty on the headsets. It will distract you all and the more dominant ones will make a �call� if they feel a cue has been missed, even though it may have been changed. Be VERY polite, but be in charge. always a contentious issue between SM�s and techies. Tech staffs like to use separate initials for light (LQ) and sound (SQ). The reason this is a problem has to do with timing and the way you actually call your cues. You always give a warning a paragraph or so in advance, but you may still have a green operatorHow you should call the actual cue is �101 � go!� When you are running a cue heavy show it takes too long to say �LQ101, spots and SQ 55 � go!� You want them to know the cues are coming and just be able to say �both � go!� This is another reason for just using sequential numbers for cues (120, 130,

140. Always leave room for inserts!) You can put the letter behind the cue when you give the warning. �Ready 110 lights and 120 sound, please.� You have plenty of time when you�re doing your �Ready�s� but very little when you�re doing the - This is mainly a problem with a �three wall� show like a pantomime or musical that interacts with the audience � ad libbing. It was mentioned earlier that in a longer running show it is the SM�s job to keep the company from diverging too much from theIn some shows ad libbing is permitted by the principles, BUT THEY MUST KEEP THEIR CUE LINES INTACT! A show can become sloppy very quickly if this does - I prefer to photocopy the acting script onto paper so there is a LOT of empty space. be left blank for notes and diagrams with the script on the right page. reason � most people are right handed. I like to make two scripts � one for rehearsal and the second marked on tech day with the cues and run info.

reasons for this are that all your blocking and character notes and the many erasures and changes are not needed any more and distracting when you�reRemember, anything you want someone else to read will be seen in a dim red or blue light. Please write it in dark pencil so it can be red and changed. You WILL fine tune cues as you go. A script marked in red ink will become incredibly hard to read in red light, for instance. - I seriously recommend you put your script in a binder. Loose pages WILL be knocked over by an excited actor at just the wrong time. Make your binder your own, your own bit of theatre history that you take from show to show. - Use organizes because your script should include a company list, rehearsal schedule and absentee list during rehearsals, and your lists of techies, crew and props runners for each - Marking your script. I�ve included a sample page, but here are some tips. The first page in your

binder should be the preshow page that is applicable to your theatre. is shown in the job descriptions menu. - The first blank page should contain an appendix of your shorthand. Things such as NQ24 for next cue is on page 24, usually put in the bottom right corner on the right side page, TOP for top of page, (cues frequently are the very first thing on the next page.Who knows, just happens!) AIP for actors in place, used especially when using an infrared camera and the cue should be called when the actor(s) is/areFTB, fade to black is a good example. Don�t assume anyone will know that, one place I worked called that GB for go black. also contains your initial stage setup and when the next major change occurs. This is called a run list. Once it is fixed, it should be reprinted separately in BIG TYPE and stuck on the walls for the ASM�s and crew. - The cues should be put on the right side of the right page. If a cue is time sensitive, such as preshow

cues, put that first. Q105 house to half Q120 curtain warmers out (if your group follows that tradition)(Whatever your first cue is) - Lighting and sound cues frequently have to run at precise times, so usually a line is drawn under the dialogue with the cue number on the right hand side and an uptick indicating exactly where it should be called such as� �He was never, at any time, a member !of the Nazi This indicates that you would say �go� after the word �member� is spoken. It was the end of a scene. After that actor exited and the new ones were in place, AIPQ150 was �150 � go!� - A couple of things that might change your call. If you can�t see the action that is the cue but the techie can, that is called a visual. You still call it in advance though, just to alert them and of course write it in your script along with the action. On Marta�s exit                                      visual