84x64 curtains
Name (A - Z) Name (Z - A) Price (High - Low) Price (Low - High) 110 items, scroll to loadErrors will be corrected where discovered, and Lowe's reserves the right to revoke any stated offer and to correct any errors, inaccuracies or omissions including after an order has been submitted. The Premium Faux Wood Blinds - 2" come closer to simulating the look of real wood than any of Levolor's other faux wood blinds. Available in a variety of on-trend finishes that include sandblasted and stained colors with faux wood-grain textures, these blinds give you the look of real wood at a fraction of the cost. Premium Faux Wood Blinds - 2" are also extremely durable. Their composition includes a polymer that will never chip, crack or peel; it also makes the product warp- and fade-resistant. The 2” slats provide a clearer view to the outdoors than blinds with smaller slats, making this an ideal product for windows and doors that hold a spectacular view. Install Time: 12 - 15 Minutes
More realistic wood textures/stains means these are a great fit for homes with wooden furniture or floors.
flock damask fully lined eyelet curtains red/black Heavier than wood blinds, this product is not recommended for large windows if you plan to raise and lower these blinds frequently. This product has accessible cords and is not recommended for windows where children or pets may be present. Warranty means you can trust that this product will last and provide added value and beauty to your home. exclusive, we make sure you have complete peace of mind when measuring for any product we offer. If you made a mistake measuring your blind, we'll remake it at no cost to you. You don't even pay for the return shipping of your old blind! You only pay if there's a difference in price between your old and new blind, or if the new blind requires a shipping fee (generally, this applies when it's over 94" wide).
Limit 1 remake per item; 4 remakes per household per lifetime (unless the error is ours, in which case, we'll make it right!). Same-product exchanges only, within 30 calendar days of receipt of package. Refunds are not offered under this guarantee. New blind must be the same product as the old blind and changes are restricted to only size and mount. Commercial orders do not qualify.The always delectable NADA Miami Beach fair opens on Thursday, December 4, at the Deauville Beach Resort in Miami Beach, Florida. ARTnews will be there, covering the action and taking a look at the (mostly) new art that some 100 exhibitors are offering up. Below, a preview of that work, including pieces by Jessica Jackson Hutchins, Heather Guertin, Rose Marcus, Tamara Gonzales, Elizabeth Jaeger, and 20 more artists.Also available: Part 1 and Part 3 of our preview.Click an image to preview the fair. You can use your keyboard to move between the images. Copyright 2017, Art Media ARTNEWS, llc.
110 Greene Street, 2nd Fl., New York, N.Y. 10012. Recommended ArticlesSeattle’s Jen Graves Resigns as Art Critic of The StrangerHabitat: Moonlighting—Artists’ Side JobsPreview Mexico City's 2017 Zona Maco FairHere Is the Artist List for the 2017 Venice BiennaleSome items in this category may not be eligible for international shipping. If you need assistance, please view our contact information RecommendedPrice (Low To High)Price (High To Low)Customer Ratings 4 • View All Carlisle Dining in Onyx Finish Carlisle Dining in Parisian Ivory Finish Palermo Dining in Bronze Finish Grayson Dining in White Finish Cassara Dining in Natural Finish Isola Dining Collection in Natural Finish Hyde Park Dining in Ivory Finish Glen Isle Dining in White Finish Orleans Dining in Chocolate Finish Hyde Park Dining in Ocean Grey Finish Grayson Dining in Black Finish Palermo Dining in White Finish Carlisle Dining in Slate Finish
Carlisle Woven and Cast Dining Cassara Dining in Weathered Finish Orleans Dining in Biscayne Finish Charleston Dining in Weathered Pebble Finish Hampton Dining in Driftwood Finish Glen Isle Dining in Midnight Gold Finish Palermo Dining in Linen Finish Charleston Dining in French Roast Finish Hampton Dining in Ivory Finish Metropolitan Dining in Panther Finish Metropolitan Dining in White Finish Mercer Dining by Porta Forma Milo Dining by Porta Forma Luciano Dining by Porta Forma Palazzo Carbon Dining by Porta Forma Collins Dining by Porta Forma Palazzo Shell Dining by Porta Forma Modena Dining by Porta Forma Arezzo Dining by Porta Forma Vida Dining by Porta Forma Enzo Dining by Porta Forma Laurent Dining by Porta Forma Ravello Dining by Porta Forma Brizo Dining by Porta Forma Belize Dining Collection by Summer Classics4 December 2012 – 2 February 2013 Having Put Herself in the Picture, 2012
Framed pencil drawing and screenprint on paper with circular mirror 63 x 87 x 5 cm / 38cm Image courtesy the Artist, Drawing Room 2012 The Glory of a Great Picture is in its Shame I, 2012 Pencil on paper, digital pigment fine art print, glass and painted wooden construction 138 x 58 x 100 cm Reversibility (Welliflex Camera with HB versions), 2011 Framed pencil drawing and screenprint on paper with rubber wellington boot, pencil, string, eraser and painted plinth 63 x 87 x 5 cm/35 x 10 x 26 cm The Glory of a Great Picture is in its Shame I, Reversibility (from The Final Series), 2012 Framed pencil drawing on paper 45 x 30 x 3 cm Curtain I - VII, 2011 Series of seven digital pigment fine art prints. Seven x 84 x 64 x 4 cm Kate Davis has been commissioned to realise a new body of work for her solo exhibition at Drawing Room. Questioning how to bear witness to the complexities of the past, Davis’ artwork is an attempt to reconsider, reclaim and reinvent what certain histories could look, sound and feel like.
This has often involved responding to the aesthetic and political ambiguities of historical art works and their reception. Working across a range of media, drawing remains the critical core of her visual vocabulary, and this exhibition will be the first time she addresses her relationship to drawing (as a medium, activity and history) so directly. Focusing on ideologies perpetuated through certain approaches to the teaching of drawing, Not Just the Perfect Moments will attempt to stand alongside the late artist, Jo Spence, to re-examine and unpick some of the ways in which a representational practice, such as drawing, has constructed perceptions of the individual. Jo Spence’s groundbreaking photographic works often asked who owned images, and especially images of the body. In this exhibition, as with much of Davis’ practice, photography and drawing are brought into close relation, and both are questioned as techniques for challenging, and caring for, a past and future. “ – it is precisely in its expression of this inferiority, that the drawing itself becomes valuable.
It is because a photo cannot condemn itself that it is worthless. The glory of a great picture is in its shame; and the charm of it, in expressing the pleasure of a loving heart, that there is something better than a picture…” Kate Davis (born 1977, New Zealand) lives and works in Glasgow. Davis has recently had solo exhibitions at: GoMA, Glasgow; Museo de la Ciudad and La Galeria de Comercio, Mexico (2010); CCA, Glasgow (two-person commission with Faith Wilding for Glasgow International) (2010); Galerie Kamm, Berlin (2011), Sorcha Dallas, Glasgow (2008), Tate Britain, London (2007) and Kunsthalle Basel (2006). Her work has also been shown as part of: eva International 2012 (curated by Annie Fletcher), Limerick, Ireland; Sanctuary/Comraich (curated by Sophie Crichton Stuart and James Mackay), Mount Stuart, Isle of Bute, Scotland (2012); The End of the Line: Attitudes in Drawing, a Hayward Touring Exhibition (2009), Art Sheffield 10 (collaborative commission with Jimmy Robert) (2010);