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AfterlifeSeptember 23-27, 2016, Recology AIR100% of the materials for this body of work was scavenged from Public Disposal and Recycle Area at Recology San Francisco, from June-September 2016.This body of work explores “making do” as a creative strategy for life after system collapse. In a series of quilts and other sculptural objects, I allow the shapes of garments to be expressed, resulting in works of unusual geometric abstraction that are simultaneously suggestive of the human body. b u s i n e s s  a t t i r e, 57” x 72”, stripe and oxford shirts, silk ties, fleece, hand quilted, $58006 x 4, 98” x 115”, (vertical or horizontal orientation) six pairs of military uniform pants, comforter, hand quilted with cotton thread, $7800p i t s, 66” x 74”, shirt sleeves, silk ties, wool batting, sheet, hand quilted with cotton thread, solds a f e t y n e t w o r k, 91” x 81”, Recology safety vests and uniforms, wool batting - sold f i e l d, 76” x 85”, denim, wool, cotton scavenged the first day of the

residency, comforter, hand quilted with embroidery floss, $4500a f t e r l i f e, 128” x 69”sun faded curtains, mattress pads, sheet, tied with wool thread, $6400s i n g u l a r i t y, 62.5’ x 10” – 33” circumference, installation dimensions variablejeans, polystyrene foam from stuffed animals, $6700o g d, 23” x 43” flattened furry, wool blanket, thread, $2900l a e p e t h n, 46” x 60”, flattened furry, wool blanket, thread, $3600 f i e l d, 76” x 85”, installation dimension variable, sculptural viewwoodford curtains exeter Score For Floating Squares (à la Sew LeWitt)September 6 - 27, 2015, Adobe Books Backroom GalleryThe Score For Floatingblue curtain falls übersetzung deutsch Squares (à la Sew LeWitt) playfully employs an additive, algorithmicnoble curtains abu dhabi

procedure (the sum of the difference) to activate the attention of participants and audience through the medium of freestyle patchwork, in this immersive collaborative installation. The flexible limits that define the system are contracted and expanded through the subtle differences of hand and choice authentic to each participant, thus creating an overall patternfireman sam tab top curtains that is varied and unexpected, yet unified. black curtains 300cm drop experience activates a restorative rhythm of attention defined by flow,curtains inverell surrender, surprise, discovery, affirmation, and satisfaction.siesta blackout curtains

Project participation and documentation: #SewLeWittPress: North America’s Must-See Exhibitions This Fall ~ Art Slant Score For Floating Squares (à la Sew LeWitt) ~ MakersSeptember 6 - 27, 2015, Adobe Books Backroom GalleryNotes from the makers…Thanks for the true opportunity to play!An unexpected day of spontaneity and friendship.Thank you for helping me keep art alive in my life.“Realized colors adjacent to each other don’t have to be ‘tasteful.’Love this way of learning. Taught me that everything doesn’t have to be perfect.It was very liberating to have no design in mind.I’ve never sewn in my life but always wanted to.The idea of setting limits, a minimal directive (reminded me of Robert Morris’ Rules of Minimism) so we don’t get too lost and yet letting go of the expected outcome is an amazing concept.Great session - satisfying & direct.Such a gift to listen to my instincts instead of trying to figure out if it was 'right.’Thank you for the time I spent with you learning patchwork.

Hugo from Paris.These quilts are smothering the WiFi system!Ours is the one that doesn’t believe in straight lines. But it was fun!First time I’ve sewn since 6th grade!All was redeemed when I worked my piece together with someone else’s - beautiful!It came together in a surprising way. Procedural quilting=Fluxus+John Cage Scores+Annie Albers+Jacquard Loom…Calming and lovely, a fun dance with chance and algorithm.Sorting scraps and thinking about Albers and RothkoEnjoyed sewing 1st time ever! How fun a delight to work with color and fabric.Didn’t realize that the colors I chose represented some personal history - a favorite blanket on a favorite bed.Satisfying to meet the other women sewing this afternoon.A really liberating meditation! The Improv Handbook For Modern Quilters (STC Craft / an imprint of Abrams, 2015)The ten scores written for The Improv Handbook for Modern Quilters are designed to transmit a range of variables for flexible patterning in patchwork, while activating rhythms of attention such as acceptance,

responsiveness, courage, and curiosity in the mind of the maker. “Grapefruit: A Book of Instruction and Drawings.” Yoko Ono wrote scores for theHer work reached out to the masses, just as I hope my book will reach out to all the people who love to make quilts, who might not yet imagine the creative potential for self-discovery, authentic expression, and empowerment available to them through improvisatory practice as applied to Freestyle Patchwork, 2014 from The Improv Handbook For Modern Quilters, photos by Sara Remington, (Abrams 2015)Score For Floating Squares: After Image, 83 in x 96 inScore For Strings: String City, 90 in x 93 inScore For Modern Block Improv: Flying Geese, 68 in x 65 inScore For Bias Strip Petals: Daisy, 90 in x 99 inScore For Showing Up: Disco, 88 in x 52 inScore For Rhythmic Grid, 102 in x 108 inScore For Wedged Curves: Deep Sea, 70 in x 70 in Freestyle Patchwork, 2012Rainbow Cloud Quilt, 52 in x 68 inRGB, 57 in x 72 in Group Stitching Mantra, 2009Group Stitching Mantra is a score for experiencing trance, and

connectedness with others through shared, independent action andDuring meditative group sessions held in cultural and clinical venues, each participant embroiders a prayer flag by focusing on mudra/movement, while simultaneously vocalizing one word of their mantra/voice each time their needle pierces the cloth, as they stitchTwenty-five women contributed to the first Group Stitching Mantra at the Weatherspoon Art Museum at UNC-Greensboro, onThe performance was commissioned by the museum as part of the exhibition, “Our Subject Is You” and lasted 31 minutes. Piñata Anchor of Hope, 2005A geo-psychic public art project for the city of Durham, NC 1200 Hats, 2003A 1 year collaboration with residents at the North Carolina Correctional Institution for Women, in Raleigh, NC.Women inside and outside of the prison crocheted a hat for every woman incarcerated at NCCIW as a talisman for hope and change. Yarn from unfinished projects was donated by church members, and yarn stores.